The Spirit Awards celebrate the best in low-budget filmmaking. But within those honors, the John Cassavetes Award goes to films with even lower budgets: those made for under $500,000.
This year's five nominees talked to The Associated Press about (...)
The same problems that plagued "La Vie en Rose," starring Marion Cotillard as Edith Piaf, exist in "The Iron Lady," a biopic about Margaret Thatcher starring Meryl Streep as the former British prime minister. While both films feature strong (...)
It seems like such a quaint notion: Folks would go to the movie theater, buy their tickets at the box office, then sit down, shut up and pay attention for two hours to what was on the screen.
Now, the piercing glow of cell phones lights up the (...)
His name has been more synonymous in recent years with volatility and vitriol than Hollywood glitz and glamour. He's been one of the most powerful people in this town, but a series of rants and scandals has prompted some of the industry's top (...)
Host Ricky Gervas humorously insulted nearly every A-lister in the room at the Golden Globes, while the big winner was "The Social Network" — a movie about a guy who riles up everyone on campus with his new and invasive website.
It all seemed (...)
Domestic box-office revenues for 2010 won't quite hit last year's record-setting haul, but they'll be awfully close.
Total movie-ticket sales will reach $10.556 billion, the tracking agency Hollywood.com said this week. That's a slight decrease (...)
"Eat Pray Love" allows Julia Roberts to show off the best of what she can do: flash that radiant smile and let loose with that hearty laugh, but also provoke more than a tear or two in emotionally weighty scenes. An A-lister with irresistible (...)
The cinematic landscape is littered with terrible movies based on television shows. From "Leave It to Beaver" and "Bewitched" to "The Dukes of Hazzard" and "Starsky & Hutch," the vast majority of these adaptations have not exactly been must-sees. (...)
Night at the Museum: Battle of the Smithsonian is one of those sequels in which bigger is supposed to mean better, in which more characters, more sight gags and more action are supposed to add up to more fun.
They don t.
The follow-up to the (...)
Simultaneously a well-crafted action flick and a drama about global politics, The Kingdom wants to appeal to both the lowest common denominator as well as those seeking slightly more intellectual fare.
It moderately succeeds at achieving (...)