Front Page
Politics
Economy
International
Sports
Society
Culture
Videos
Newspapers
Ahram Online
Al-Ahram Weekly
Albawaba
Almasry Alyoum
Amwal Al Ghad
Arab News Agency
Bikya Masr
Daily News Egypt
FilGoal
The Egyptian Gazette
Youm7
Subject
Author
Region
f
t
مصرس
Apple faces pressure as iPhone sales slide
Egypt secures $9b in FDI for largest ME wind projects
Norway's Scatec to build $5.7b wind farm in Egypt
Japan's manufacturing reaches 49.6% in April – PMI
Mexico selective tariffs hit $48b of imports
EFG Hermes closes EGP 600m senior unsecured note issuance for HSB
Microsoft plans to build data centre in Thailand
Japanese Ambassador presents Certificate of Appreciation to renowned Opera singer Reda El-Wakil
WFP, EU collaborate to empower refugees, host communities in Egypt
Health Minister, Johnson & Johnson explore collaborative opportunities at Qatar Goals 2024
Belarusian Prime Minister visits MAZ truck factory in Egypt
SCZONE leader engages in dialogue on eco-friendly industrial zones initiative with Swiss envoy, UNIDO team
Egypt facilitates ceasefire talks between Hamas, Israel
Al-Sisi, Emir of Kuwait discuss bilateral ties, Gaza takes centre stage
Egyptian, Bosnian leaders vow closer ties during high-level meeting in Cairo
AstraZeneca, Ministry of Health launch early detection and treatment campaign against liver cancer
Sweilam highlights Egypt's water needs, cooperation efforts during Baghdad Conference
AstraZeneca injects $50m in Egypt over four years
Egypt, AstraZeneca sign liver cancer MoU
Swiss freeze on Russian assets dwindles to $6.36b in '23
Amir Karara reflects on 'Beit Al-Rifai' success, aspires for future collaborations
Climate change risks 70% of global workforce – ILO
Prime Minister Madbouly reviews cooperation with South Sudan
Ramses II statue head returns to Egypt after repatriation from Switzerland
Egypt retains top spot in CFA's MENA Research Challenge
Egyptian public, private sectors off on Apr 25 marking Sinai Liberation
Debt swaps could unlock $100b for climate action
President Al-Sisi embarks on new term with pledge for prosperity, democratic evolution
Amal Al Ghad Magazine congratulates President Sisi on new office term
Egyptian, Japanese Judo communities celebrate new coach at Tokyo's Embassy in Cairo
Uppingham Cairo and Rafa Nadal Academy Unite to Elevate Sports Education in Egypt with the Introduction of the "Rafa Nadal Tennis Program"
Financial literacy becomes extremely important – EGX official
Euro area annual inflation up to 2.9% – Eurostat
BYD، Brazil's Sigma Lithium JV likely
UNESCO celebrates World Arabic Language Day
Motaz Azaiza mural in Manchester tribute to Palestinian journalists
Russia says it's in sync with US, China, Pakistan on Taliban
It's a bit frustrating to draw at home: Real Madrid keeper after Villarreal game
Shoukry reviews with Guterres Egypt's efforts to achieve SDGs, promote human rights
Sudan says countries must cooperate on vaccines
Johnson & Johnson: Second shot boosts antibodies and protection against COVID-19
Egypt to tax bloggers, YouTubers
Egypt's FM asserts importance of stability in Libya, holding elections as scheduled
We mustn't lose touch: Muller after Bayern win in Bundesliga
Egypt records 36 new deaths from Covid-19, highest since mid June
Egypt sells $3 bln US-dollar dominated eurobonds
Gamal Hanafy's ceramic exhibition at Gezira Arts Centre is a must go
Italian Institute Director Davide Scalmani presents activities of the Cairo Institute for ITALIANA.IT platform
Thank you for reporting!
This image will be automatically disabled when it gets reported by several people.
OK
Before the public gaze
Mona Anis
Published in
Al-Ahram Weekly
on 28 - 06 - 2001
By Mona Anis
The cult of the movie star, fostered by the money of the film industry, preserves not the unique aura of the person but the "spell of the personality," the phony spell of a commodity.
Walter Benjamin
Any obituary of a 20th century icon such as Soad Hosni, my colleagues tell me, should weave the bits of her life, scattered over the media ever since she became fair game for the public gaze, into a meaningful whole that might account for the final tragic act, the actress's suicide in
London
last week.
In a desperate attempt to take stock of a tumultuous life in a small space I pore over newspaper archives, recalling things I must have already known since the day I learned to read (which was probably around the same time Soad Hosni was making her screen debut in 1959) for I have been an avid reader of gossip.
Reading and rereading the material at hand, searching desperately for a solution to the apparent contradiction of placing the life of a person who spent the past ten years trying to escape public attention under a microscope, the idea of Soad's suicide as a means of escaping the public gaze suddenly hits me. I turn to Walter Benjamin, one of the 20th century's greatest culture critics, and read: "The feeling of strangeness that overcomes the actor before the camera is basically of the same kind as the estrangement felt before one's own image in the mirror. But now the reflected image has become separable, transportable. And where is it transported? Before the public."
So was the sense of estrangement from which many of those who knew Soad Hosni say she had always suffered enhanced by the double estrangement inherent in filmmaking?
There must be something of that, I tell myself. But then the majority of movie stars do adapt -- albeit with some bruises -- to this aspect of their profession without being pushed to the edge. So I turn again to her personal history to look for signs.
Soad Hosni was born into an artistic family. Her father, one of the best calligraphers in modern Arabic, was quick to recognise the talents of his young children and pushed them onto the public stage when they were still very young. Nagat El-Saghira, Soad's sister, was a great success when, before she had reached the age of ten, she started singing in the early 1940s. The money Nagat made, it is rumoured, led to her father feeding her vinegar to maintain her childlike appearance.
Soad joined the Hosni troupe when she was three, though unlike Nagat, who by the 1950s had become a famous singer, she did not continue. As a young teenager Soad lived briefly with Nagat, but by the time Abdel-Rahman El-Khamisi discovered her at the age of 15 she was living with her mother, by then divorced from her father, and her stepfather.
El-Khamisi had originally wanted Soad to play Ophelia in a production of Hamlet for the theatrical troupe he directed. At the time of their meeting he was writing the script for a film, to be directed by Barakat, based on the folk story of the love of Hassan, a troubadour, and Na'ima, the daughter of a village notable who would rather kill his daughter than marry her to a maghannawati (singer). El-Khamisi persuaded Barakat to test Soad for the role of Na'ima. And the rest is history.
The film was released in 1959. By the end of 1961 she had starred in ten more films. Three decades later she had made a phenomenal 83 films and survived at least five marriages, but had no children. "How could I have children when I am myself a child," she was reported as saying in one of the rare interviews she gave in the early 1990s.
Following the success of Hassan wa Na'ima Soad was introduced to Abdel-Halim Hafez, who promised her the leading role opposite him in Al-Banat wa Al-Sayf (Girls and Summer). On the first day of shooting, however, roles were changed and she ended up playing Halim's sister -- she never played opposite him again. But off screen their relationship became a fixture of the gossip columns throughout most of the 1960s. At the time both denied rumours that they were married, though in 1993 Hosni gave an interview published in Sabbah El-Kheir in which she said she had been secretly married to Halim for six years. Halim, the dream of every teenager by the time Soad shot to stardom, was 15 years older than her. He died in 1977 at the age of 48. Soad, aged 58, committed suicide on 21 June, Halim's birthday, a decade after she had withdrawn from public life.
Watch out for Zouzou, released in 1972, is the biggest box- office hit in Egyptian cinema to date, and Soad Hosni's most famous role. Zouzou is a university student who helps her mother, a retired belly dancer, make ends meet by dancing at baladi weddings, something she is keen to hide from her fellow students. The backdrop to this melodrama is
Cairo
University campus in the early 1970s, split into two opposing camps, one liberal, the other composed of hotheaded zealots who rant about morality. Because of Zouzou's exuberance and excellence, the liberals love her and elect her Ideal Student, while mini skirts and hot pants earn her the enmity of the zealots. When the double life she is leading is exposed and her picture belly dancing is fly-posted around the campus the polarisation intensifies and is resolved by a public debate in which Zouzou gives a fiery speech about having committed no sin other than that of being a belly dancer's daughter.
Last week newspapers reported that the answering service on her cellular phone in
London
-- still operating immediately after her death -- replied: "This is Zouzou, leave your name and I will get back to you soon."
Recommend this page
Related stories:
In the present tense
Sister to the moon
Blue-eyed boy 9 -15 November 2000
© Copyright Al-Ahram Weekly. All rights reserved
Send a letter to the Editor
Clic
here
to read the story from its source.
Related stories
Sister to the moon
Women take more lead roles in Egyptian cinema
The tale of the species
The legend behind the legend
Many dishes, little choice
Report inappropriate advertisement