Egypt retains global lead in frozen strawberry exports in '24    Egypt allocates EGP5bn to support MSMEs, entrepreneurs    EGP starts week flat against the US dollar    Egypt, Mexico explore joint action on environment, sustainability    New expansion projects, public-private partnerships to modernize, localise industry: El-Shimy    Al-Sisi attends high-level African summit to strengthen continental coordination, regional integration    Al-Wazir inaugurates glass factory, lays foundation stone for new appliance plant at Elaraby Group    Egypt, Mexico discuss environmental cooperation, combating desertification    Egypt launches anti-drug awareness campaign for drivers    HDB expands national footprint with 'Acacia' branch in New Cairo    Lavrov warns against anti-Russia alliances in Asia during North Korea visit    Germany faces recruitment hurdles in push to rearm, eyes conscription    Needle-spiking attacks in France prompt government warning, public fear    Foreign, housing ministers discuss Egypt's role in African development push    Egypt's EDA, Haleon discuss local market support    Korea Culture Week in Egypt to blend K-Pop with traditional arts    Egypt, France FMs review Gaza ceasefire efforts, reconstruction    CIB finances Giza Pyramids Sound and Light Show redevelopment with EGP 963m loan    Greco-Roman tombs with hieroglyphic inscriptions discovered in Aswan    Egypt reveals heritage e-training portal    Three ancient rock-cut tombs discovered in Aswan    Egypt condemns deadly terrorist attack in Niger        Sisi launches new support initiative for families of war, terrorism victims    Egypt's GAH, Spain's Konecta discuss digital health partnership    Egypt expands e-ticketing to 110 heritage sites, adds self-service kiosks at Saqqara    Egypt's Irrigation Minister urges scientific cooperation to tackle water scarcity    Palm Hills Squash Open debuts with 48 international stars, $250,000 prize pool    Egypt's Democratic Generation Party Evaluates 84 Candidates Ahead of Parliamentary Vote    On Sport to broadcast Pan Arab Golf Championship for Juniors and Ladies in Egypt    Golf Festival in Cairo to mark Arab Golf Federation's 50th anniversary    Germany among EU's priciest labour markets – official data    Cabinet approves establishment of national medical tourism council to boost healthcare sector    Egypt's PM follows up on Julius Nyerere dam project in Tanzania    Paris Olympic gold '24 medals hit record value    A minute of silence for Egyptian sports    Russia says it's in sync with US, China, Pakistan on Taliban    It's a bit frustrating to draw at home: Real Madrid keeper after Villarreal game    Shoukry reviews with Guterres Egypt's efforts to achieve SDGs, promote human rights    Sudan says countries must cooperate on vaccines    Johnson & Johnson: Second shot boosts antibodies and protection against COVID-19    Egypt to tax bloggers, YouTubers    Egypt's FM asserts importance of stability in Libya, holding elections as scheduled    We mustn't lose touch: Muller after Bayern win in Bundesliga    Egypt records 36 new deaths from Covid-19, highest since mid June    Egypt sells $3 bln US-dollar dominated eurobonds    Gamal Hanafy's ceramic exhibition at Gezira Arts Centre is a must go    Italian Institute Director Davide Scalmani presents activities of the Cairo Institute for ITALIANA.IT platform    







Thank you for reporting!
This image will be automatically disabled when it gets reported by several people.



Oscar-winning Italian composer Ennio Morricone dead at 91
Published in Ahram Online on 06 - 07 - 2020

Ennio Morricone, the Oscar-winning Italian composer who created the coyote-howl theme for the iconic Spaghetti Western “The Good, the Bad and the Ugly” and often haunting soundtracks for such classic Hollywood gangster movies as “The Untouchables” and the epic “Once Upon A Time In America,” died Monday. He was 91.
Morricone's longtime lawyer, Giorgio Assumma, said “the Maestro,” as he was known, died in a Rome hospital of complications following surgery after a recent fall in which he broke a leg bone.
Outside the hospital, Assumma read a farewell message from Morricone.
“I am Ennio Morricone, and I am dead,” began the message. In the greeting, the composer went on to explain that the only reason he was saying goodbye this way and had requested a private funeral was: “I don't want to bother anyone.”
During a career that spanned decades and earned him an Oscar for lifetime achievement in 2007, Morricone collaborated with some of Hollywood's and Italy's top directors, including on “The Untouchables” by Brian de Palma, “The Hateful Eight” by Quentin Tarantino , “The Battle of Algiers” by Gillo Pontecorvo and “Nuovo Cinema Paradiso,” a nostalgic ode to the importance of movie houses in Italian small town life, by Giuseppe Tornatore.
The Tarantino film would win him the Oscar for best original score in 2016. In accepting that award, Morricone told the audience at the ceremony: “There is no great music without a great film that inspires it.”
In total, he produced more than 400 original scores for feature films.
His iconic so-called Spaghetti Western movies saw him work closely with the late Italian film director Sergio Leone, a former classmate.
Morricone practically reinvented music for Western genre movies through his partnership with Leone. Their partnership included the “Dollars” trilogy starring Clint Eastwood as a quick-shooting, lonesome gunman: “A Fistful of Dollars” in 1964, “For a Few Dollars More” in 1965 and “The Good, the Bad and the Ugly” a year later.
Morricone was celebrated for crafting just a few notes — like those played on a harmonica in Leone's 1984 movie “Once Upon A Time in America” — that would instantly become a film's highly memorable motif.
Full Coverage: Entertainment
That movie is a saga about Jewish gangsters in New York that explores themes of friendship, lost love and the passing of time, starring Robert De Niro and James Wood. It is considered by some to be Leone's masterpiece, thanks in part to Morricone's evocative score, including a lush section played on string instruments.
“Inspiration does not exist,” Morricone said in a 2004 interview with The Associated Press. “What exists is an idea, a minimal idea that the composer develops at the desk, and that small idea becomes something important.”
In a later interview, with Italian state TV, Morricone cited “study, discipline and curiosity” as the keys to his creative genius. “Writing music, like all creative arts, comes from a long path” along life's experiences, he said.
“A great phenomenon of world music” was how Italian film director Dario Argento described Morricone, who scored five of his films.
In his late 80s, Morricone provided the score for “The Hateful Eight,” Tarantino's 2015 70-mm epic and the first time in decades that he had composed new music for a Western. It was also the first time Tarantino had used an original score.
In accepting Morricone's Golden Globe for the music in his place, Tarantino called him his favorite composer.
“When I say ‘favorite composer,' I don't mean movie composer. ... I'm talking about Mozart, I'm talking about Beethoven, I'm talking about Schubert,” Tarantino said.
Italy's head of state, President Sergio Mattarella, in a condolence message to the composer's family, wrote: “Both a refined and popular musician, he left a deep footprint on the musical history of the second half of the 1900s.”
Morricone's sound tracks, Mattarella said, “contributed greatly to spreading and reinforcing the prestige of Italy in the world.”
Morricone's style was sparse, made of memorable tunes and unusual instruments and arrangements, and often stirred deep emotions.
His music punctuated the long silences typical of the Spaghetti Westerns, with the characters locked in close-ups, staring at each other and waiting for their next moves. The coyote howl, harmonicas and eerie whistling of “The Good, the Bad and the Ugly” became Morricone's trademark and one of the most easily recognizable soundtracks in cinema.
Minutes before handing Morricone the Oscar for lifetime achievement in 2007, Eastwood recalled hearing for the first time the score of “A Fistful of Dollars” and thinking: “What actor wouldn't want to ride into town with that kind of music playing behind him?”
It was a night to remember for Morricone, who had been nominated for Oscars five times (“The Hateful Eight” was his sixth) but until then had never won.
Born in Rome on Nov. 10, 1928, Morricone was the oldest of the five children. His father was a trumpet player.
After studying trumpet and composition at the Conservatory of the Accademia Nazionale di Santa Cecilia in the Italian capital, he started working as a trumpeter and then as an arranger for record companies.
“I started working on very easy kinds of music pieces for the radio, for television and then for the theater, and then little by little I started to compose the film scores,” he told the AP in 2016.
In 1961 he wrote his first score for a movie, a bittersweet comedy set in the final moments of Fascism called “Il Federale” (known in English as “The Fascist”). That decade also saw Morricone cooperate with Pontecorvo, first on “The Battle of Algiers,” the black-and-white classic depicting the Algerian uprising against the French; and later on “Queimada,” a tale of colonialism starring Marlon Brando.
Morricone received his first Oscar nomination for original score with “Days Of Heaven,” a 1978 movie by U.S. director Terence Malick. Beside “The Hateful Eight,” the others were for “The Mission” (1986), “The Untouchables” (1987), “Bugsy” (1991) and “Malena” (2000).
Shortly before his lifetime Oscar, Morricone joked that he would have been happy without the coveted statuette, saying “I would have remained in the company of illustrious non-winners.”
But he also made no secret that he thought “The Mission,” with its memorably sweet theme of “Gabriel's Oboe,” deserved the Academy Award. That year, he lost to Herbie Hancock's “Round Midnight.”
Morricone had recently composed music to be performed in Genoa's Carlo Felice Theater later this summer in honor of the 43 victims of that city's 2018 Morandi Bridge collapse, Genoa Mayor Marco Bucci said. The music will be performed on the eve of a ceremony inaugurating the bridge's replacement, the mayor said.
Highly versatile, Morricone also orchestrated Italian pop tunes that include enduring classics, like one version of an eternal summer hit, “Sapore di Sale” (“Taste of Salt”), which was written by famed Italian troubadour Gino Paoli.
Another renowned maestro, Riccardo Muti, cited his “friendship and admiration″ for Morricone. Muti on Monday recalled that when he directed the composer's piece “Voci dal Silenzio” (Voices from the Silence” ) the work elicited “true emotion” from the audience, both in Chicago, where Muti directs the symphony orchestra, as well as during a performance in Ravenna, Italy.
Muti called Morricone an “extraordinary” composer both for films and in classical music.
Asked by Italian state TV a few years ago if there was one director he would have liked to have worked with but didn't, Morricone said Stanley Kubrick had asked him to work on “Clockwork Orange.” But that collaboration didn't happen because of a commitment to Leone, Morricone recalled.
Morricone is survived by his wife Maria Travia, whom he cited when accepting his 2016 Oscar. Married in 1956, the couple had four children, Marco, Alessandra, Andrea and Giovanni.
For more arts and culture news and updates, follow Ahram Online Arts and Culture on Twitter at @AhramOnlineArts and on Facebook at Ahram Online: Arts & Culture


Clic here to read the story from its source.