Egypt's central bank hosts Iraqi delegation to boost cooperation on fintech, supervision    Egypt's FM, Palestinian PM visit Rafah crossing to review Gaza aid    EGP edges lower against USD in early Monday trade    Egypt delivers over 30 million health services through public hospitals in H1 2025    Egypt joins Geneva negotiations on Global Plastics Treaty, calls for urgent agreement    Egypt, Japan discuss economic ties, preparations for TICAD conference    Egypt's PM tells Palestinian PM that Rafah crossing is working 24/7 for aid    Real Estate Developers urge flexible land pricing, streamlined licensing, and dollar-based transactions    Madinet Masr in talks for three land plots in Riyadh as part of Saudi expansion    Escalation in Gaza, West Bank as Israeli strikes continue amid mounting international criticism    Egypt recovers collection of ancient artefacts from Netherlands    Egypt, UNDP discuss outcomes of joint projects, future environmental cooperation    Egypt harvests 315,000 cubic metres of rainwater in Sinai as part of flash flood protection measures    After Putin summit, Trump says peace deal is best way to end Ukraine war    Egypt, Namibia explore closer pharmaceutical cooperation    Fitch Ratings: ASEAN Islamic finance set to surpass $1t by 2026-end    Renowned Egyptian novelist Sonallah Ibrahim dies at 88    Egyptian, Ugandan Presidents open business forum to boost trade    Al-Sisi says any party thinking Egypt will neglect water rights is 'completely mistaken'    Egypt's Sisi warns against unilateral Nile measures, reaffirms Egypt's water security stance    Egypt's Sisi, Uganda's Museveni discuss boosting ties    Egypt, Huawei explore healthcare digital transformation cooperation    Egypt's Sisi, Sudan's Idris discuss strategic ties, stability    Egypt's govt. issues licensing controls for used cooking oil activities    Egypt to inaugurate Grand Egyptian Museum on 1 November    Egypt's Sisi: Egypt is gateway for aid to Gaza, not displacement    Greco-Roman rock-cut tombs unearthed in Egypt's Aswan    Egypt reveals heritage e-training portal    Sisi launches new support initiative for families of war, terrorism victims    Egypt expands e-ticketing to 110 heritage sites, adds self-service kiosks at Saqqara    Palm Hills Squash Open debuts with 48 international stars, $250,000 prize pool    On Sport to broadcast Pan Arab Golf Championship for Juniors and Ladies in Egypt    Golf Festival in Cairo to mark Arab Golf Federation's 50th anniversary    Germany among EU's priciest labour markets – official data    Paris Olympic gold '24 medals hit record value    A minute of silence for Egyptian sports    Russia says it's in sync with US, China, Pakistan on Taliban    It's a bit frustrating to draw at home: Real Madrid keeper after Villarreal game    Shoukry reviews with Guterres Egypt's efforts to achieve SDGs, promote human rights    Sudan says countries must cooperate on vaccines    Johnson & Johnson: Second shot boosts antibodies and protection against COVID-19    Egypt to tax bloggers, YouTubers    Egypt's FM asserts importance of stability in Libya, holding elections as scheduled    We mustn't lose touch: Muller after Bayern win in Bundesliga    Egypt records 36 new deaths from Covid-19, highest since mid June    Egypt sells $3 bln US-dollar dominated eurobonds    Gamal Hanafy's ceramic exhibition at Gezira Arts Centre is a must go    Italian Institute Director Davide Scalmani presents activities of the Cairo Institute for ITALIANA.IT platform    







Thank you for reporting!
This image will be automatically disabled when it gets reported by several people.



6 Contemporary Arts celebrate Eveyln Ashamallah
Published in Daily News Egypt on 04 - 06 - 2013

Egyptian artist Eveyln Ashamallah has been creating wonderful and imaginative paintings for 20 years, and the fruits of this labour are now on display in Zamalek. The exhibition, 20 Years of Evelyn Ashamallah, opened on Monday 2 June at 6 Contemporary Arts gallery, with Ashamallah on the scene to answer questions about her work.
“The collection is 20 years of my artistic phases; each phase is a little different than the one before it, but when they are exhibited together, they create a [complete] image of my artistic career," Ashamallah explained, “There are 45 paintings, [besides] a huge painting, which is a collage of 10 smaller paintings, entitled Creatures of Life."
When viewing the collection, one is struck by the fanciful characters of each painting, each telling a different story. Although at times appearing distorted, they are inviting in their child-like appearance. Ashamallah creates her own world in each painting, populated by heroes and heroines who always seem to be smiling and alive.
Ashmallah describes her artistic process as fluid and adaptive. “No painting really has a specific subject," she says. “When I start to paint, I depend on my memories, what the eye notices, my personal history, the place in which I live, my travels, my readings of philosophy, and my points of view. Basically, my reactions to life, the way I act, my thoughts... they all go into the painting. There is usually just a general outline," she explained.
When asked about Creatures of Life, which is located near the entrance of the gallery, Ashmallah explained, “This time I decided that I wanted to create a very large painting that has some details of life's games, and of the moulid [a celebration of a saint or prophet's birthday]. That was the general idea, and from it, I went into specifics when painting, which was done with great freedom and fluency."
At the end of the gallery, there are three consecutive vertical black and white paintings, entitled Singing, which seem connected. “They tell the story of a musical world, with singing and noise. At the same time, there are many conversations taking place. I painted these after I painted Creatures of Life," she explained.
Creatures of Life and the three Singing paintings are two sides of the same coin. “I wanted to contrast the colourful, boisterous life in the Creatures of Life with the possibility of creating a life as just as noisy, but in black and white. They represent two different moods. At the same time, when you look at the Singing paintings which are black and white, you sense a high tone and noise," Ashamallah said.
The gallery also includes paintings of a more personal nature, which was the main subject of the last artistic phase that Ashamallah experienced. “The three circular paintings that look like icons; these were faces of children with whom I played in the street when I was a kid. I lost them when I moved away, but they remained as heroes in my life," Ashamallah explained, “I also painted my house in which I used to live with them, and how it looked with its doors and windows, and its oven room. I am from Dessouk, and there, each house had an oven room. [In the paintings] I recalled my childhood activities and how that time was an intimate phase in my life."
Ashamallah's paintings seem deceptively simple, but also clearly display the generous thought and effort that went into their creation. One of the more wholesome paintings shows a family standing side by side. “This was my father's family: my aunts, my father, and my grandmother and grandfather. They all died really young, and so I wanted to give them life once more by painting them," Ashamallah said.
The exhibition runs until 23 June.


Clic here to read the story from its source.