Egypt, Elsewedy review progress on Ain Sokhna phosphate complex    US employment cost index 3.6% up in year to June 2025    Egypt welcomes Canada, Malta's decision to recognise Palestinian state    Pakistan says successfully concluded 'landmark trade deal' with US    Sterling set for sharpest monthly drop since 2022    Egypt, Brazil sign deal to boost pharmaceutical cooperation    Modon Holding posts AED 2.1bn net profit in H1 2025    Egypt's Electricity Ministry says new power cable for Giza area operational    Egypt's Al-Sisi, Italian defence minister discuss Gaza, security cooperation    Egypt's FM discusses Gaza, Nile dam with US senators    Aid airdrops intensify as famine deepens in Gaza amid mounting international criticism    Egypt exports first high-tech potato seeds to Uzbekistan after opening market    Health minister showcases AI's impact on healthcare at Huawei Cloud Summit    On anti-trafficking day, Egypt's PM calls fight a 'moral and humanitarian duty'    Egypt strengthens healthcare partnerships to enhance maternity, multiple sclerosis, and stroke care    Egypt keeps Gaza aid flowing, total tops 533,000 tons: minister    Indian Embassy to launch cultural festival in Assiut, film fest in Cairo    Egyptian aid convoy heads toward Gaza as humanitarian crisis deepens    Culture minister launches national plan to revive film industry, modernise cinematic assets    I won't trade my identity to please market: Douzi    Sisi sends letter to Nigerian president affirming strategic ties    Two militants killed in foiled plot to revive 'Hasm' operations: Interior ministry    Egypt, Somalia discuss closer environmental cooperation    Egypt's EHA, Huawei discuss enhanced digital health    Foreign, housing ministers discuss Egypt's role in African development push    Egypt reveals heritage e-training portal    Three ancient rock-cut tombs discovered in Aswan    Sisi launches new support initiative for families of war, terrorism victims    Egypt expands e-ticketing to 110 heritage sites, adds self-service kiosks at Saqqara    Egypt's Irrigation Minister urges scientific cooperation to tackle water scarcity    Palm Hills Squash Open debuts with 48 international stars, $250,000 prize pool    On Sport to broadcast Pan Arab Golf Championship for Juniors and Ladies in Egypt    Golf Festival in Cairo to mark Arab Golf Federation's 50th anniversary    Germany among EU's priciest labour markets – official data    Paris Olympic gold '24 medals hit record value    A minute of silence for Egyptian sports    Russia says it's in sync with US, China, Pakistan on Taliban    It's a bit frustrating to draw at home: Real Madrid keeper after Villarreal game    Shoukry reviews with Guterres Egypt's efforts to achieve SDGs, promote human rights    Sudan says countries must cooperate on vaccines    Johnson & Johnson: Second shot boosts antibodies and protection against COVID-19    Egypt to tax bloggers, YouTubers    Egypt's FM asserts importance of stability in Libya, holding elections as scheduled    We mustn't lose touch: Muller after Bayern win in Bundesliga    Egypt records 36 new deaths from Covid-19, highest since mid June    Egypt sells $3 bln US-dollar dominated eurobonds    Gamal Hanafy's ceramic exhibition at Gezira Arts Centre is a must go    Italian Institute Director Davide Scalmani presents activities of the Cairo Institute for ITALIANA.IT platform    







Thank you for reporting!
This image will be automatically disabled when it gets reported by several people.



New year, same Egypt at Arab Shorts 2011
Published in Daily News Egypt on 28 - 10 - 2011

When the Arab Shorts fest first opened in December 2009 at the Goethe Institute in Egypt, it filled a void, Goethe director Gunther Hasenkamp told Daily News Egypt at the opening of Arab Shorts 2011 on Thursday.
After much ado, Goethe had decided that in the absence of another venue, it was an imperative for it to host Arab shorts to bring together and present the works of independent filmmakers and curators from the Arab region, showing them via an online database.
Unlike previous festivals which carried the emphasis on putting films online, the focus appears to have also increased now to create an art festival, complete with “lunchtime talks” with festival organizers and a presentation by Alan Bieber of the culture network “arte CREATIVE.” Germany is also a guest program at the Arab shorts this year.
Independent filmmakers had had their moment at the first fest. Unencumbered by sponsors and censors, many had broken from filmmaking conventions to produce short films screened to a local and online audience. The program that opened the fest this year, in contrast, featured films where a revolution was reflected in the content rather than in style.
At the largely attended, cramped venue, the selection “Personal Freedom: Fiction within the truth” featured films curated by Hala Galal and Ayman Hussein that tackled the question of whether freedom existed, or was merely a fiction.
Some interesting ironies present themselves, sometimes all too pedagogically, in the narratives featured on the first night. “Karim,” a documentary film and one of the more interesting selections, owes its appeal largely to the choice of its camera-friendly lead character.
“There's only one Karim Alagouz,” he says, keenly posing with his cigarette, his t-shirt, and his views. “I wouldn't go to the revolution to become a martyr. I would have been a thief,” he offers with shocking candor, “That's what the streets taught me.” At nighttime, Karim and his friend eat their first meal of the day outside McDonalds.
Indulgent doses of censure and irony are also offered in Noha Al-Maadawy's “Four Seasons,” which begins with an old man listening to Mubarak deliver “a speech that comes from the heart to all my sons and daughters.”
Tying together disparate memories of having stage fright before Suzanne Mubarak, walking through the rain-drenched streets during the revolution, the narrator in Maadawy's short asks a question for which the audience too begs an answer: “What will we do with all these memories?”
In “Suspended Freedom,” the subject is a house-help who goes about her daily duties, while recounting instances of violence during the revolution. While it is her husband that is in jail, she says it is as if “I was imprisoned for seven years, not him.”
Life for the cleaner-woman, who underwent treatment for breast cancer, did not ease up. “There is no rest in my world. I don't know why. I fear tomorrow. I hate tomorrow.”
“Our Weapon” too is topical, rather than stylistic, offering graffiti as a weapon of free expression against the guns, “their weapon.” The film follows discussions around, preparation of, and the execution of graffiti.
Like Karim of the aforementioned short, the narrator offers a quotable line: “What bothers me is when people say we're making the walls dirty; as if they were clean before.”
Of all the films screened, the fiction piece “Payback” epitomizes “poverty porn,” deriving its value by indulging in the extreme suffering of the underprivileged. The content, again, offers nothing that is new, surprising, or cathartic.
Overall, the films in the first round of the five-day festival proved to be a disappointing start. This first year began with names and films that were already known to those in the know, Hasemkamp said. In that sense, it was a “safe” opening.
This year, the festival provided a more open platform; with conditions were more relaxed regards topics of films, and the regions. Unlike previous years where films were restricted to one nation per curator in 2009, or the Arab regions in 2010, films this year were included in the fest if they were made by an Arab director or concerned an Arab topic.
Maha Maamoun, who co-curated “A State of Fluidity” with Sarah Rifky, said their selection included a film, “Tarahi II” by Cypriot director Haris Epaminonda. Tarahi, meaning “turmoil,” film concerns images of an Egyptian actress that the narrator sees on a television and the resulting mood.
Maamoun, also a visual artist, said their selection included films that were tied together by a specific mood rather than a solid theme. Unlike the content-heavy selection of the first night, upcoming nights assure a varied selection of films, some of which promise to weigh in on style.
For more information and the calendar of upcoming events at the fest, please visit http://www.arabshorts.net/
“Tarahi,” meaning turmoil, concerns images of an Egyptian actress that the narrator sees on a television and the resulting mood.


Clic here to read the story from its source.