Madbouly Egypt's development model at UN conference    Egypt's Foreign Minister urges diplomacy on Iran nuclear issue in IAEA call    Egypt, Iran FMs discuss Gaza truce, nuclear talks revival    Egypt's Environment Minister calls for stronger action on desertification, climate resilience in Africa    Egypt's Q3 GDP growth hits three-year high of 4.77%    Peace is not imposed by bombing… nor achieved by normalisation peoples reject: Al-Sisi    Al-Sisi reaffirms Egypt's support for Libyan unity, withdrawal of foreign forces    Spinneys Opens A New Store in Hurghada    Egypt to launch new dialysis filter factory in July, covering 65% of domestic demand    Egypt reveals heritage e-training portal    Egypt leverages diplomacy to advance global health partnerships    Egypt to toughen truck safety rules following fatal Ring Road accident    Egypt condemns Pakistan convoy attack, voices solidarity    Egypt, Mauritania eye joint healthcare plans    Egypt's FM, UK security adviser discuss de-escalation    US Fed holds rates steady    EGX ends in green on June 16    Egypt's EHA, Schneider Electric sign MoU on sustainable infrastructure    Sisi launches new support initiative for families of war, terrorism victims    Grand Egyptian Museum opening delayed to Q4    Egypt delays Grand Museum opening to Q4 amid regional tensions    Egypt expands e-ticketing to 110 heritage sites, adds self-service kiosks at Saqqara    Egypt's EDA joins high-level Africa-Europe medicines regulatory talks    Egypt's Irrigation Minister urges scientific cooperation to tackle water scarcity    Egypt discovers three New Kingdom tombs in Luxor's Dra' Abu El-Naga    Egypt launches "Memory of the City" app to document urban history    Palm Hills Squash Open debuts with 48 international stars, $250,000 prize pool    Egypt's Democratic Generation Party Evaluates 84 Candidates Ahead of Parliamentary Vote    On Sport to broadcast Pan Arab Golf Championship for Juniors and Ladies in Egypt    Golf Festival in Cairo to mark Arab Golf Federation's 50th anniversary    Germany among EU's priciest labour markets – official data    Cabinet approves establishment of national medical tourism council to boost healthcare sector    Egypt's PM follows up on Julius Nyerere dam project in Tanzania    Egypt's FM inspects Julius Nyerere Dam project in Tanzania    Paris Olympic gold '24 medals hit record value    A minute of silence for Egyptian sports    Russia says it's in sync with US, China, Pakistan on Taliban    It's a bit frustrating to draw at home: Real Madrid keeper after Villarreal game    Shoukry reviews with Guterres Egypt's efforts to achieve SDGs, promote human rights    Sudan says countries must cooperate on vaccines    Johnson & Johnson: Second shot boosts antibodies and protection against COVID-19    Egypt to tax bloggers, YouTubers    Egypt's FM asserts importance of stability in Libya, holding elections as scheduled    We mustn't lose touch: Muller after Bayern win in Bundesliga    Egypt records 36 new deaths from Covid-19, highest since mid June    Egypt sells $3 bln US-dollar dominated eurobonds    Gamal Hanafy's ceramic exhibition at Gezira Arts Centre is a must go    Italian Institute Director Davide Scalmani presents activities of the Cairo Institute for ITALIANA.IT platform    







Thank you for reporting!
This image will be automatically disabled when it gets reported by several people.



Moments in movement
Published in Al-Ahram Weekly on 08 - 07 - 2010

Held in conjunction with the 11th International Egyptian Modern Dance Festival, a current photographic exhibition captures the art of modern dance, writes Ingrid Wassmann
The dancer is frozen for an instant in motion, his thigh muscles powerfully flexed as a result of the energy and strength of his movements, his stretched arms swung out from his body. His eyes stare out of his face into the audience, and the black, white and gold patterns painted onto his body glare against the brilliant red of his costume.
Such are the details of a moment of dance, frozen and captured in a high-definition colour image and one of the many stunning photographs shown at an exhibition currently on display at the Gomhuriya Theatre in Cairo and held in conjunction with the 11th International Egyptian Modern Dance Festival until 5 July.
"The purpose of the exhibition is to show the impact of dance photography and the power it can have," commented Walid Aouni, the initiator of the exhibition and artistic director of the dance festival. "It is time to discover dance photography as an art form," he added.
Aouni is an acclaimed Lebanese choreographer and is also the artistic director of the Cairo Opera House's Egyptian Modern Dance Company, which he founded in 1993.
The exhibition's collection of 68 photographs depicts scenes from various dance performances, such as moments from Scheherazade- Korsakov, Between Dusk and Dawn, The Smell of Ice, and, most recently, Women of Qassim Amin, all of which have been presented at the Cairo Opera House and Gomhuriya Theatre over the past five years.
Photographers include Bassam El-Zoghby, the winner of six photographic awards, Khaled Farid, who works professionally with the Middle East News Agency, Mohamed Mosaad, deputy head of the photography section of Al-Ahram, and Al-Ahram Weekly 's photographer Sherif Sonbol. All four are heavyweights in Egypt's professional dance photography world and pioneers of a genre in a country where photography is still sometimes not recognised as being a form of art.
"The photographer is the creator: he is the third eye," Aouni said. "Like a choreographer, he knows how to capture a moment, a movement, and movement is important because it's through movement that you reach the heart."
Colour, composition and light have been carefully selected in many of the photographs, and for Aouni they represent a form of art independent from the subjects depicted. "The world of dance photography has nothing to do with performance, because the photographer captures a moment and creates a form of art out of it, making his own performance," Aouni said.
In a photograph by Sonbol of Women of Qassim Amin, a performance directed by Aouni, the dancers' faces are trapped inside elongated pieces of black fabric suspended from above the stage, symbolising the veil. A slight blur around the moving bodies suggests attempts to break free. Whitish lighting behind the dark outlines of the dancers gives the photograph a particularly sombre tone.
"We should learn from those who give us art to make us happy," Walid Aouni once wrote. These words could easily apply to the current exhibition.


Clic here to read the story from its source.