City Farm sets sights on Kenyan market for African expansion    Bold Routes launches its first regional office in Dubai    Egypt looks forward to mobilising sustainable finance for Africa's public health: Finance Minister    Egypt, Bahrain vow joint action to end Gaza crisis    Egypt's Ministry of Health initiates 90 free medical convoys    Egypt, Serbia leaders vow to bolster ties, discuss Mideast, Ukraine crises    EGP closes slightly higher against USD on Wednesday    EU to sue Germany for breaking EU single market rules    Morgan Stanley enters bond market post Q1 revenues announcements    EU mulls adding removal credits to carbon market    Singapore leads $5b initiative for Asian climate projects    Karim Gabr inaugurates 7th International Conference of BUE's Faculty of Media    Gold holds steady on Wednesday after record highs    Israeli crimes in Gaza: Forced evacuations, human rights violations in Beit Hanoun, Jabalia    EU pledges €3.5b for oceans, environment    Egypt gears up for launch of massive '500500' oncology hospital    Egypt forms supreme committee to revive historic Ahl Al-Bayt Trail    Debt swaps could unlock $100b for climate action    Acts of goodness: Transforming companies, people, communities    Eid in Egypt: A Journey through Time and Tradition    President Al-Sisi embarks on new term with pledge for prosperity, democratic evolution    Amal Al Ghad Magazine congratulates President Sisi on new office term    Tourism Minister inspects Grand Egyptian Museum, Giza Pyramids    Egypt's healthcare sector burgeoning with opportunities for investors – minister    Egypt starts construction of groundwater drinking water stations in South Sudan    Russians in Egypt vote in Presidential Election    Egyptian, Japanese Judo communities celebrate new coach at Tokyo's Embassy in Cairo    Uppingham Cairo and Rafa Nadal Academy Unite to Elevate Sports Education in Egypt with the Introduction of the "Rafa Nadal Tennis Program"    Egypt's powerhouse 'The Tank' Hamed Khallaf secures back-to-back gold at World Cup Weightlifting Championship"    Financial literacy becomes extremely important – EGX official    Euro area annual inflation up to 2.9% – Eurostat    Egypt builds 8 groundwater stations in S. Sudan    BYD، Brazil's Sigma Lithium JV likely    WFP delivers 1st Jordan aid convoy through Israeli crossing    UNESCO celebrates World Arabic Language Day    Motaz Azaiza mural in Manchester tribute to Palestinian journalists    Russia says it's in sync with US, China, Pakistan on Taliban    It's a bit frustrating to draw at home: Real Madrid keeper after Villarreal game    Shoukry reviews with Guterres Egypt's efforts to achieve SDGs, promote human rights    Sudan says countries must cooperate on vaccines    Johnson & Johnson: Second shot boosts antibodies and protection against COVID-19    Egypt to tax bloggers, YouTubers    Egypt's FM asserts importance of stability in Libya, holding elections as scheduled    We mustn't lose touch: Muller after Bayern win in Bundesliga    Egypt records 36 new deaths from Covid-19, highest since mid June    Egypt sells $3 bln US-dollar dominated eurobonds    Gamal Hanafy's ceramic exhibition at Gezira Arts Centre is a must go    Italian Institute Director Davide Scalmani presents activities of the Cairo Institute for ITALIANA.IT platform    







Thank you for reporting!
This image will be automatically disabled when it gets reported by several people.



A very special Pharaoh
Published in The Egyptian Gazette on 05 - 07 - 2013

In the Cairo Museum, behind a colossal group of limestone statues of King Amenophis III, his wife Tyi and three of their daughters, from the temple of Medinat Habu on the West Bank at Luxor, there is a small section dedicated to Pharaoh Amenhoptep IV. Even the lighting in this section of the museum is different, suggesting to us something special about this Pharaoh.
Who on earth was Amenhotep IV? Well, this Pharaoh, who ruled Egypt from 1351 to 1334 BC and abolished the worship of many gods and replaced them with the worship of one god only, is better known to Egyptians as Akhenaten. Surrounded even to this day by mystery, Akhenaten's strange reign is represented in this part of the museum by unusual objects.
A large coloured photo on the back wall cleverly sets the scene. It is of a panel showing the king worshipping the sun. There are four large carved statues of the Pharaoh, some of them from a lined row of colossi at Karnak, showing the king with an elongated body, protruding stomach and extended face and jaw.
Scholars' speculation has worked on overdrive here, ranging from suggestions that Akhenaten suffered from different illnesses to the idea that the exaggerated artistic style is thought to have a religious significance.
The remarkable story of this Pharaoh's reign is the story of a man who single-handedly tried to destroy the worship of numerous deities which had existed in Egypt for centuries, as well as sweeping away the power of its priesthood and converting many of its temples.
Five years into his reign he moved from Thebes, the ancient capital of Egypt, and created a new capital city, Akhetaten, providing it with palaces, temples, government buildings and homes for its citizens. For a brief time, Egypt was ruled from here.
Within twenty years, the city was empty, the old religion had been re-established and the name of Akhenaten wiped off every tablet and monument, as if he had never existed. So cleverly had his successors air-brushed him off the face of history that Egyptologists knew nothing about him or his family until relatively recently.
The ruins of Akhenaten today stand eerily at El-Amarna on the East bank of the Nile, near to El-Minya, about 312 kilometres south of Cairo. There are no vast crowds of tourists here or coaches lining up for visits. What remains of the city is laid out roughly north to south along a 'Royal Road.' The city was built in a hurry, so whitewashed mud-brick was used for many of its buildings.
Most of these buildings, ravaged by time, have now returned to the clay of the earth they came from, so that the city has a ghost-like feel to it, more a collection of mounds and broken walls than the fantastic centre of a great empire. If visitors came here, what would they come to see?
The city was in a valley between steep cliffs on the east bank of the Nile. The sun rises in the east, unlike the Valley of the Kings, for example, which is on the west bank, where the sun goes down. It was more fitting to celebrate the rising of the Aten, the one god represented to men as a sun-disc, than to worship the sun's setting.
The city was divided into three sections. The private residence of the Pharaoh and his family were in the North.
The administrative buildings and the ceremonial areas were in the central district. Here was the Great Royal Palace and the official Royal Residence. Across a bridge from these was the Great Temple of the Aten, unlike the other temples in Egypt.
The sacrifices to this god were not carried out in dark, secret chambers, but in the open air, on altars in view of everyone. A great obelisk was all there was to focus attention.
In what are the windswept remains of the city today there is a narrow valley to the east, hidden in the cliffs. It was here that the royal tombs were to be located. Only one was completed, perhaps for a royal wife, and also a tomb for Akhenaten himself, who was hastily buried here, before being removed back to Thebes by his successors and then lost to public memory.
Back in the Egyptian Museum, there are two statues which seem to sum up the fragile beauty of this period of Egypt's history. The first is a bust of Nefertiti, one of Akhenaten's wives. Unlike the more famous statue now on view in Berlin, this statue is unfinished. It is only partly carved and even has lines drawn on it to show where the sculptor would finish his work. "Nefer," in the language of the Ancient Egyptians, means beauty.
This statue shows the queen as not only very beautiful, but also very peaceful. In this and other statues, both she and her husband-king are both serene and youthful.
The other small object in this part of the museum which sums up the reign of Akhenaten is an unfinished limestone statuette depicting the Pharaoh embracing and kissing one of his daughters, who sits on his knee, in the style of family intimacy so unique to this period.
Time alone may one day unravel the mystery of this remarkable Pharaoh. Covered up and brushed aside for centuries by those wishing to maintain the status quo, he has an extraordinary appeal to our modern age, not least to those who worship One God.
Muslims read in the Holy Qur'an in Surat Al-Ikhlas:
Say: He is Allah, the One; Allah, the Eternal, Absolute; he begetteth not, nor is He begotten; and there is none like unto Him.
Holy Qur'an 112:1-4
This is the central belief of Muslims. In Akhenaten, they see an image, all of those thousands of years ago, of the message revealed to mankind by countless Prophets. It is a touching idea that Akhenaten, who countless Pharaohs tried to silence and write out of history, is now a precursor of something believed in by billions of people. In viewing those small statues of him in the museum in Cairo, we come to realise that the truth can never be silenced, and that goodness will always prevail.
British Muslim writer and
broadcaster, Idris Tawfiq, teaches at Al-Azhar University and is the author of nine books about Islam. You can visit his website at www.idristawfiq.com, join him
on Facebook at Idris Tawfiq
Page and listen to his Radio Show,
"A Life in Question," on Sundays at 11pm on Radio Cairo 95.4 FM.


Clic here to read the story from its source.