Egypt's c. bank issues EGP 19b T-bonds fixed coupon    Egypt backs Sudan sovereignty, urges end to El-Fasher siege at New York talks    Egyptian pound weakens against dollar in early trading    Egypt's PM heads to UNGA to press for Palestinian statehood    As US warships patrol near Venezuela, it exposes Latin American divisions    More than 70 killed in RSF drone attack on mosque in Sudan's besieged El Fasher    Al-Wazir launches EGP 3bn electric bus production line in Sharqeya for export to Europe    Egypt, EBRD discuss strategies to boost investment, foreign trade    DP World, Elsewedy to develop EGP 1.42bn cold storage facility in 6th of October City    Global pressure mounts on Israel as Gaza death toll surges, war deepens    Cairo governor briefs PM on Khan el-Khalili, Rameses Square development    El Gouna Film Festival's 8th edition to coincide with UN's 80th anniversary    Cairo University, Roche Diagnostics inaugurate automated lab at Qasr El-Ainy    Egypt expands medical, humanitarian support for Gaza patients    Egypt investigates disappearance of ancient bracelet from Egyptian Museum in Tahrir    Egypt launches international architecture academy with UNESCO, European partners    Egypt's Sisi, Qatar's Emir condemn Israeli strikes, call for Gaza ceasefire    Egypt's Cabinet approves Benha-Wuhan graduate school to boost research, innovation    Egypt hosts G20 meeting for 1st time outside member states    Egypt to tighten waste rules, cut rice straw fees to curb pollution    Egypt seeks Indian expertise to boost pharmaceutical industry    Egypt harvests 315,000 cubic metres of rainwater in Sinai as part of flash flood protection measures    Al-Sisi says any party thinking Egypt will neglect water rights is 'completely mistaken'    Egyptian, Ugandan Presidents open business forum to boost trade    Egypt's Sisi, Uganda's Museveni discuss boosting ties    Egypt's Sisi warns against unilateral Nile measures, reaffirms Egypt's water security stance    Greco-Roman rock-cut tombs unearthed in Egypt's Aswan    Egypt reveals heritage e-training portal    Sisi launches new support initiative for families of war, terrorism victims    Egypt expands e-ticketing to 110 heritage sites, adds self-service kiosks at Saqqara    Palm Hills Squash Open debuts with 48 international stars, $250,000 prize pool    On Sport to broadcast Pan Arab Golf Championship for Juniors and Ladies in Egypt    Golf Festival in Cairo to mark Arab Golf Federation's 50th anniversary    Germany among EU's priciest labour markets – official data    Paris Olympic gold '24 medals hit record value    A minute of silence for Egyptian sports    Russia says it's in sync with US, China, Pakistan on Taliban    It's a bit frustrating to draw at home: Real Madrid keeper after Villarreal game    Shoukry reviews with Guterres Egypt's efforts to achieve SDGs, promote human rights    Sudan says countries must cooperate on vaccines    Johnson & Johnson: Second shot boosts antibodies and protection against COVID-19    Egypt to tax bloggers, YouTubers    Egypt's FM asserts importance of stability in Libya, holding elections as scheduled    We mustn't lose touch: Muller after Bayern win in Bundesliga    Egypt records 36 new deaths from Covid-19, highest since mid June    Egypt sells $3 bln US-dollar dominated eurobonds    Gamal Hanafy's ceramic exhibition at Gezira Arts Centre is a must go    Italian Institute Director Davide Scalmani presents activities of the Cairo Institute for ITALIANA.IT platform    







Thank you for reporting!
This image will be automatically disabled when it gets reported by several people.



A safe way out
Published in Daily News Egypt on 12 - 01 - 2014

Artist Sameh Ismael decided to take a different path from densely packed paintings with complex compositions, and instead went for the minimalistic approach. Despite his classical training – he received a Bachelor of Fine Arts from Helwan University in 1997 – Ismael has had a more modern approach in his artistic career. In addition to being an artist, he is a musician and also dabbles in graffiti and photography.
His new collection at Zamalek Art Gallery, "A safe way out", marries his two major interests, minimalism and Arabic calligraphy. On his website, he explains his obsession with the Arabic language: "Arabic letters have entered my surfaces as a recognised cultural form, a visual element that could be pronounced. I introduce elements that can be perceived and recognised in ways that extend beyond simple visual legibility: elements that actually move with the brush strokes and represent the energy by which my abstract painterly techniques construct my canvases. The versatility of form of the Arabic letter, and its 1500 years of vocalised and painted history, plus the centuries old visual culture of ‘Khatt' –or Arabic calligraphy—all complement my inspiration as a painter."
For someone who is not a fan of minimalism, the collection might seem only to be squiggly lines with intermittent appearances of letters from the Arabic language. It is hard to extract meaning from the paintings. A brochure on the exhibit claims that the collection "addresses the dialogue between the angularity of a letter form and the cursive quality of pseudo calligraphy".
The paintings do have some beautiful splashes of colour every now and then, but that's about it. The problem with the collection is that it suffers from repetitiveness, with every painting greatly resembling the one before. Going through Ismael's website, you also find out that the collection is similar to his work from 2007. The method has obviously worked for him since he is a successful artist who had his collections exhibited in many prestigious places, such as the Sharjah Museum and the National Museum of Jordan. However, to the ordinary viewer, the paintings are not very appealing.
Given his extensive experience, we would like to see him try to add some new elements to his paintings, or even combine two methods of art – such as minimalism with classical – in new ways.
The exhibition will be held up through 28 January at Zamalek Art Gallery.


Clic here to read the story from its source.