Egypt expresses 'deep dissatisfaction' to Netherlands over embassy attack    Global pressure mounts as Gaza fighting intensifies and death toll surges    Egypt, India's BDR Group in talks to establish biologics, cancer drug facility    AUC graduates first cohort of film industry business certificate    At TICAD, Egypt's education minister signs pacts with Casio, SAPIX    Egypt holds special importance for our investments across diverse sectors: Japanese minister    Cairo, Tokyo sign LOI to expand educational cooperation, support for persons with disabilities    Madbouly invites Japanese firms to establish industrial zone in SCZONE    Egypt to tighten waste rules, cut rice straw fees to curb pollution    Al-Sisi meets Qatar PM, Bahrain security adviser to discuss Gaza crisis, regional stability    Indian tourist arrivals to Egypt jump 18.8% in H1-2025: ministry data    Egyptian pound down vs. US dollar at Monday's close – CBE    Egypt's FM, Palestinian PM visit Rafah crossing to review Gaza aid    Egypt prepares unified stance ahead of COP30 in Brazil    Egypt recovers collection of ancient artefacts from Netherlands    Egypt harvests 315,000 cubic metres of rainwater in Sinai as part of flash flood protection measures    Egypt, Namibia explore closer pharmaceutical cooperation    Fitch Ratings: ASEAN Islamic finance set to surpass $1t by 2026-end    Renowned Egyptian novelist Sonallah Ibrahim dies at 88    Egyptian, Ugandan Presidents open business forum to boost trade    Al-Sisi says any party thinking Egypt will neglect water rights is 'completely mistaken'    Egypt's Sisi warns against unilateral Nile measures, reaffirms Egypt's water security stance    Egypt's Sisi, Uganda's Museveni discuss boosting ties    Egypt, Huawei explore healthcare digital transformation cooperation    Egypt's Sisi, Sudan's Idris discuss strategic ties, stability    Egypt to inaugurate Grand Egyptian Museum on 1 November    Greco-Roman rock-cut tombs unearthed in Egypt's Aswan    Egypt reveals heritage e-training portal    Sisi launches new support initiative for families of war, terrorism victims    Egypt expands e-ticketing to 110 heritage sites, adds self-service kiosks at Saqqara    Palm Hills Squash Open debuts with 48 international stars, $250,000 prize pool    On Sport to broadcast Pan Arab Golf Championship for Juniors and Ladies in Egypt    Golf Festival in Cairo to mark Arab Golf Federation's 50th anniversary    Germany among EU's priciest labour markets – official data    Paris Olympic gold '24 medals hit record value    A minute of silence for Egyptian sports    Russia says it's in sync with US, China, Pakistan on Taliban    It's a bit frustrating to draw at home: Real Madrid keeper after Villarreal game    Shoukry reviews with Guterres Egypt's efforts to achieve SDGs, promote human rights    Sudan says countries must cooperate on vaccines    Johnson & Johnson: Second shot boosts antibodies and protection against COVID-19    Egypt to tax bloggers, YouTubers    Egypt's FM asserts importance of stability in Libya, holding elections as scheduled    We mustn't lose touch: Muller after Bayern win in Bundesliga    Egypt records 36 new deaths from Covid-19, highest since mid June    Egypt sells $3 bln US-dollar dominated eurobonds    Gamal Hanafy's ceramic exhibition at Gezira Arts Centre is a must go    Italian Institute Director Davide Scalmani presents activities of the Cairo Institute for ITALIANA.IT platform    







Thank you for reporting!
This image will be automatically disabled when it gets reported by several people.



Flamenco Republic to stage a takeover of Egypt's dance scene
Published in Daily News Egypt on 03 - 09 - 2007

For the first time in Egypt, Flamenco Republic by the María Pagés Dance Company will take the stage at the Cairo Opera House this week before they travel to Alexandria.
Pagés is considered one of the greatest innovators in contemporary flamenco. Her shows have become famous because of her artistic accomplishments and her courageous search for new forms to express the deep truth of flamenco. Now at the summit of her artistic career, the bailaora (flamenco dancer) and choreographer from Seville has established for herself an outstanding place on the international dance scene. Pagés combines the use of the basic codes of flamenco and a thorough investigation within and beyond its traditional boundaries, thus reaching beyond cultural differences while remaining faithful to its original spirit.
Pagés believes that cultural exchanges represent a major tool to encourage a better understanding between human beings and has always been ready to take risks to prove it.
"I think that art is one of the few things which unites people, Pagés told reporters in a 2002 interview. "Confronted by that moment of union, nobody stops to think about the differences, only about all the things they have in common. Your feelings take control, it s part of being human. I ve met people in Israel, Israelis, who told me that in spite of the differences between them, they re able to share a work of art or a creation with Palestinians, through music and dance. It s like a ray of hope to hear that art can unite people.
The bailaora, and her "endless arms have performed around the world putting her theory of cultural exchange to the test.
"Flamenco is one of the clear examples that uniting cultures, or religions, she goes on to explain, "can create a common voice. We could say that even though there are differences in flamenco, gypsies and payos (non-gypsies) share the same thing and create the same thing. And it s our culture and our aesthetics. There are Arabs, there are Jews, and there are so many cultures who have passed through Andalusia ... And a language has sprung up from all that common ground. It s true that flamenco is one of the clear examples that uniting cultures, races or religions can create something in common, something to be shared.
Flamenco embodies a complex musical and cultural tradition. Although considered part of the culture of Spain in general, flamenco actually originates from one region -Andalusia. However, other areas, mainly Extremadura and Murcia, have contributed to the development of several flamenco musical forms, and a great number of renowned flamenco artists have been born in other territories of the state. The roots of flamenco are not precisely known, but it is generally acknowledged that flamenco grew out of the unique interplay of native Andalusian, Islamic, Sephardic, and Gypsy cultures that existed in Andalusia prior to and after the Reconquest. Latin American and especially Cuban influences have also been important in shaping several flamenco musical forms. It has truly emerged as an artistic expression of cultural symbiosis.
Pagés started her professional career in the company of Antonio Gades, performing in Carmen and Bodas de Sangre two landmarks of flamenco dance taken to the cinema by Carlos Saura. In 1990 she established her own company and in 1999 she began a new project based in the Boulevard Theater of Torrelodones (Madrid). She has received numerous awards and distinctions for her artistic accomplishments, among them the National Choreography Award ADE 1996, the National Dance Award 2002, Leone Massine Award 2004 and many other distinctions in flamenco festivals. She was selected to offer the Cultural Gala for the opening of the recent Iberoamerican Heads of States and Government Summit in Salamanca.
Flamenco Republic first premiered in New York about 6 years ago. As Pagés' official website describes, Flamenco Republic is "a state of mind, an imaginary country ruled by the laws of flamenco. It represents our internal landscape, an intimate space for feelings and emotions.
Flamenco Republic will be staged at the Cairo Opera House's Main Hall on Sept. 5 and 6, followed by a performance at the Sayid Darwish Theater in Alex on Sept. 8.


Clic here to read the story from its source.