UN Palestine peace conference suspended amid regional escalation    Egypt advances integrated waste management city in 10th of Ramadan with World Bank support    Hyatt, Egypt's ADD Developments sign MoU for hotel expansion    Serbian PM calls trade deal a 'new page' in Egypt ties    Reforms make Egypt 'land of opportunity,' business leader tells Serbia    TMG climbs to 4th in Forbes' Top 50 Public Companies in Egypt' list on surging sales, assets    Egypt, Japan's JICA plan school expansion – Cabinet    Egypt's EDA, AstraZeneca discuss local manufacturing    Israel intensifies strikes on Tehran as Iran vows retaliation, global leaders call for de-escalation    Egypt issues nearly 20 million digital treatment approvals as health insurance digitalisation accelerates    LTRA, Rehla Rides forge public–private partnership for smart transport    Egyptian pound rebounds at June 16 close – CBE    China's fixed asset investment surges in Jan–May    Egypt secures €21m EU grant for low-carbon transition    Sisi launches new support initiative for families of war, terrorism victims    Egypt, Cyprus discuss regional escalation, urge return to Iran-US talks    Egypt nuclear authority: No radiation rise amid regional unrest    Grand Egyptian Museum opening delayed to Q4    Egypt delays Grand Museum opening to Q4 amid regional tensions    Egypt slams Israeli strike on Iran, warns of regional chaos    Egypt expands e-ticketing to 110 heritage sites, adds self-service kiosks at Saqqara    Egypt's EDA joins high-level Africa-Europe medicines regulatory talks    Egypt's Irrigation Minister urges scientific cooperation to tackle water scarcity    Egypt, Serbia explore cultural cooperation in heritage, tourism    Egypt discovers three New Kingdom tombs in Luxor's Dra' Abu El-Naga    Egypt launches "Memory of the City" app to document urban history    Palm Hills Squash Open debuts with 48 international stars, $250,000 prize pool    Egypt's Democratic Generation Party Evaluates 84 Candidates Ahead of Parliamentary Vote    On Sport to broadcast Pan Arab Golf Championship for Juniors and Ladies in Egypt    Golf Festival in Cairo to mark Arab Golf Federation's 50th anniversary    Germany among EU's priciest labour markets – official data    Cabinet approves establishment of national medical tourism council to boost healthcare sector    Egypt's PM follows up on Julius Nyerere dam project in Tanzania    Egypt's FM inspects Julius Nyerere Dam project in Tanzania    Paris Olympic gold '24 medals hit record value    A minute of silence for Egyptian sports    Russia says it's in sync with US, China, Pakistan on Taliban    It's a bit frustrating to draw at home: Real Madrid keeper after Villarreal game    Shoukry reviews with Guterres Egypt's efforts to achieve SDGs, promote human rights    Sudan says countries must cooperate on vaccines    Johnson & Johnson: Second shot boosts antibodies and protection against COVID-19    Egypt to tax bloggers, YouTubers    Egypt's FM asserts importance of stability in Libya, holding elections as scheduled    We mustn't lose touch: Muller after Bayern win in Bundesliga    Egypt records 36 new deaths from Covid-19, highest since mid June    Egypt sells $3 bln US-dollar dominated eurobonds    Gamal Hanafy's ceramic exhibition at Gezira Arts Centre is a must go    Italian Institute Director Davide Scalmani presents activities of the Cairo Institute for ITALIANA.IT platform    







Thank you for reporting!
This image will be automatically disabled when it gets reported by several people.



Preserving Heritage
Published in Bikya Masr on 28 - 10 - 2010

There is a cultural debate going on. It's not new. In fact, it is centuries old. It is a contest between popular culture and the preservation of a classical heritage. As a music professor I feel this tension keenly. I primarily teach classical music, the music of Mozart, Bach, Beethoven, and those modern composers who by writing in an artful style have aligned themselves with the great composers of the past. In doing so I seek to preserve and transmit to the next generation a rich heritage. Nevertheless, I am sometimes asked why I do not include more popular music in my teaching. I should like to explain why.
First off, through the internet and with their multi-use cell phones and MP3 players, students have more access to music these days than ever before. Most of the music they listen to is popular music. They don't need a professor to teach this to them. In the brief time I have with students who have enrolled in my class in an institution of higher education, I am most interested in exposing them to music to which they are largely unfamiliar, music which I believe has more artistic value than most popular music.
It is not just that classical repertoire has withstood the test of time. The “classical” repertoire educates as well as entertains. It ennobles us, and heightens our appreciation for what we, as humans in our finest moments, are capable of. Serious art music often presents an abstract musical idea that is expounded upon over a period of time. It is the equivalent of the sort of intelligent and thoughtful discourse too often absent from a popular society more accustomed to commercials and sound bites. Jazz often offers this “thoughtful discourse,“ as do many types of music from around the world. Western popular music, by and large, does not. It is often superficial providing the listener a temporary “high” by appealing to that which is most primitive within him or her. As a composer, I can tell you that it is simple to write music that people will tap their feet to, just like it is simple to whip up the masses with an attractive but hollow campaign slogan. Like candy or American fast food, so much popular music is quickly consumed, and just as quickly forgotten.
So do you think I dislike popular music? Not at all. I have my repertoire of popular music that I grew up with and I enjoy. But I appreciate it for what it is and do not wish to spend my students' valuable time with my personal preferences. Rather, I bring to my students my professional preferences, informed by reason, by my education and my experience. In my professional capacity as a music professor it is my responsibility to introduce to my students the finest music available. As for the popular music, I have no doubt that students will find it and enjoy it on their own, hopefully side by side with the music I offer them.
I conclude as I often do by sharing a Youtube video. I know of no better video that portrays the sheer joy of classical music. Here is a 3-year old boy conducting the last portion of Beethoven's Fifth Symphony.
BM


Clic here to read the story from its source.