US military hits Caracas as Trump says President Maduro taken into custody    TMG to launch post-AI project and begin Noor city deliveries in 2026    Gold prices in Egypt end 2025's final session lower    From Niche to National Asset: Inside the Egyptian Golf Federation's Institutional Rebirth    Egyptian pound edges lower against dollar in Wednesday's early trade    Oil to end 2025 with sharp losses    Egypt completes 90% of first-phase gas connections for 'Decent Life' initiative    5th-century BC industrial hub, Roman burials discovered in Egypt's West Delta    Saudi Arabia demands UAE withdrawal from Yemen after air strike on 'unauthorised' arms    Egyptian-Italian team uncovers ancient workshops, Roman cemetery in Western Nile Delta    Egypt to cover private healthcare costs under universal insurance scheme, says PM at New Giza University Hospital opening    Qatari Diar pays Egypt $3.5bn initial installment for $29.7bn Alam El Roum investment deal    Egypt to launch 2026-2030 national strategy for 11m people with disabilities    The apprentice's ascent: JD Vance's five-point blueprint for 2028    Health Ministry, Veterinarians' Syndicate discuss training, law amendments, veterinary drugs    Egypt completes restoration of 43 historical agreements, 13 maps for Foreign Ministry archive    Egypt, Viatris sign MoU to expand presidential mental health initiative    Egypt sends medical convoy, supplies to Sudan to support healthcare sector    Egypt's PM reviews rollout of second phase of universal health insurance scheme    Egypt sends 15th urgent aid convoy to Gaza in cooperation with Catholic Relief Services    Al-Sisi: Egypt seeks binding Nile agreement with Ethiopia    Egyptian-built dam in Tanzania is model for Nile cooperation, says Foreign Minister    Al-Sisi affirms support for Sudan's sovereignty and calls for accountability over conflict crimes    Egypt flags red lines, urges Sudan unity, civilian protection    Egypt unveils restored colossal statues of King Amenhotep III at Luxor mortuary temple    Egyptian Golf Federation appoints Stuart Clayton as technical director    4th Egyptian Women Summit kicks off with focus on STEM, AI    UNESCO adds Egyptian Koshari to intangible cultural heritage list    Egypt recovers two ancient artefacts from Belgium    Egypt, Saudi nuclear authorities sign MoU to boost cooperation on nuclear safety    Egypt warns of erratic Ethiopian dam operations after sharp swings in Blue Nile flows    Egypt golf team reclaims Arab standing with silver; Omar Hisham Talaat congratulates team    Sisi expands national support fund to include diplomats who died on duty    Egypt's PM reviews efforts to remove Nile River encroachments    Egypt resolves dispute between top African sports bodies ahead of 2027 African Games    Germany among EU's priciest labour markets – official data    Russia says it's in sync with US, China, Pakistan on Taliban    It's a bit frustrating to draw at home: Real Madrid keeper after Villarreal game    Shoukry reviews with Guterres Egypt's efforts to achieve SDGs, promote human rights    Sudan says countries must cooperate on vaccines    Johnson & Johnson: Second shot boosts antibodies and protection against COVID-19    Egypt to tax bloggers, YouTubers    Egypt's FM asserts importance of stability in Libya, holding elections as scheduled    We mustn't lose touch: Muller after Bayern win in Bundesliga    Egypt records 36 new deaths from Covid-19, highest since mid June    Egypt sells $3 bln US-dollar dominated eurobonds    Gamal Hanafy's ceramic exhibition at Gezira Arts Centre is a must go    Italian Institute Director Davide Scalmani presents activities of the Cairo Institute for ITALIANA.IT platform    







Thank you for reporting!
This image will be automatically disabled when it gets reported by several people.



Preserving Heritage
Published in Bikya Masr on 28 - 10 - 2010

There is a cultural debate going on. It's not new. In fact, it is centuries old. It is a contest between popular culture and the preservation of a classical heritage. As a music professor I feel this tension keenly. I primarily teach classical music, the music of Mozart, Bach, Beethoven, and those modern composers who by writing in an artful style have aligned themselves with the great composers of the past. In doing so I seek to preserve and transmit to the next generation a rich heritage. Nevertheless, I am sometimes asked why I do not include more popular music in my teaching. I should like to explain why.
First off, through the internet and with their multi-use cell phones and MP3 players, students have more access to music these days than ever before. Most of the music they listen to is popular music. They don't need a professor to teach this to them. In the brief time I have with students who have enrolled in my class in an institution of higher education, I am most interested in exposing them to music to which they are largely unfamiliar, music which I believe has more artistic value than most popular music.
It is not just that classical repertoire has withstood the test of time. The “classical” repertoire educates as well as entertains. It ennobles us, and heightens our appreciation for what we, as humans in our finest moments, are capable of. Serious art music often presents an abstract musical idea that is expounded upon over a period of time. It is the equivalent of the sort of intelligent and thoughtful discourse too often absent from a popular society more accustomed to commercials and sound bites. Jazz often offers this “thoughtful discourse,“ as do many types of music from around the world. Western popular music, by and large, does not. It is often superficial providing the listener a temporary “high” by appealing to that which is most primitive within him or her. As a composer, I can tell you that it is simple to write music that people will tap their feet to, just like it is simple to whip up the masses with an attractive but hollow campaign slogan. Like candy or American fast food, so much popular music is quickly consumed, and just as quickly forgotten.
So do you think I dislike popular music? Not at all. I have my repertoire of popular music that I grew up with and I enjoy. But I appreciate it for what it is and do not wish to spend my students' valuable time with my personal preferences. Rather, I bring to my students my professional preferences, informed by reason, by my education and my experience. In my professional capacity as a music professor it is my responsibility to introduce to my students the finest music available. As for the popular music, I have no doubt that students will find it and enjoy it on their own, hopefully side by side with the music I offer them.
I conclude as I often do by sharing a Youtube video. I know of no better video that portrays the sheer joy of classical music. Here is a 3-year old boy conducting the last portion of Beethoven's Fifth Symphony.
BM


Clic here to read the story from its source.