Egypt partners with Google to promote 'unmatched diversity' tourism campaign    Golf Festival in Cairo to mark Arab Golf Federation's 50th anniversary    Taiwan GDP surges on tech demand    World Bank: Global commodity prices to fall 17% by '26    Germany among EU's priciest labour markets – official data    UNFPA Egypt, Bayer sign agreement to promote reproductive health    Egypt to boost marine protection with new tech partnership    France's harmonised inflation eases slightly in April    Eygpt's El-Sherbiny directs new cities to brace for adverse weather    CBE governor meets Beijing delegation to discuss economic, financial cooperation    Egypt's investment authority GAFI hosts forum with China to link business, innovation leaders    Cabinet approves establishment of national medical tourism council to boost healthcare sector    Egypt's Gypto Pharma, US Dawa Pharmaceuticals sign strategic alliance    Egypt's Foreign Minister calls new Somali counterpart, reaffirms support    "5,000 Years of Civilizational Dialogue" theme for Korea-Egypt 30th anniversary event    Egypt's Al-Sisi, Angola's Lourenço discuss ties, African security in Cairo talks    Egypt's Al-Mashat urges lower borrowing costs, more debt swaps at UN forum    Two new recycling projects launched in Egypt with EGP 1.7bn investment    Egypt's ambassador to Palestine congratulates Al-Sheikh on new senior state role    Egypt pleads before ICJ over Israel's obligations in occupied Palestine    Sudan conflict, bilateral ties dominate talks between Al-Sisi, Al-Burhan in Cairo    Cairo's Madinaty and Katameya Dunes Golf Courses set to host 2025 Pan Arab Golf Championship from May 7-10    Egypt's Ministry of Health launches trachoma elimination campaign in 7 governorates    EHA explores strategic partnership with Türkiye's Modest Group    Between Women Filmmakers' Caravan opens 5th round of Film Consultancy Programme for Arab filmmakers    Fourth Cairo Photo Week set for May, expanding across 14 Downtown locations    Egypt's PM follows up on Julius Nyerere dam project in Tanzania    Ancient military commander's tomb unearthed in Ismailia    Egypt's FM inspects Julius Nyerere Dam project in Tanzania    Egypt's FM praises ties with Tanzania    Egypt to host global celebration for Grand Egyptian Museum opening on July 3    Ancient Egyptian royal tomb unearthed in Sohag    Egypt hosts World Aquatics Open Water Swimming World Cup in Somabay for 3rd consecutive year    Egyptian Minister praises Nile Basin consultations, voices GERD concerns    Paris Olympic gold '24 medals hit record value    A minute of silence for Egyptian sports    Russia says it's in sync with US, China, Pakistan on Taliban    It's a bit frustrating to draw at home: Real Madrid keeper after Villarreal game    Shoukry reviews with Guterres Egypt's efforts to achieve SDGs, promote human rights    Sudan says countries must cooperate on vaccines    Johnson & Johnson: Second shot boosts antibodies and protection against COVID-19    Egypt to tax bloggers, YouTubers    Egypt's FM asserts importance of stability in Libya, holding elections as scheduled    We mustn't lose touch: Muller after Bayern win in Bundesliga    Egypt records 36 new deaths from Covid-19, highest since mid June    Egypt sells $3 bln US-dollar dominated eurobonds    Gamal Hanafy's ceramic exhibition at Gezira Arts Centre is a must go    Italian Institute Director Davide Scalmani presents activities of the Cairo Institute for ITALIANA.IT platform    







Thank you for reporting!
This image will be automatically disabled when it gets reported by several people.



Preserving Heritage
Published in Bikya Masr on 28 - 10 - 2010

There is a cultural debate going on. It's not new. In fact, it is centuries old. It is a contest between popular culture and the preservation of a classical heritage. As a music professor I feel this tension keenly. I primarily teach classical music, the music of Mozart, Bach, Beethoven, and those modern composers who by writing in an artful style have aligned themselves with the great composers of the past. In doing so I seek to preserve and transmit to the next generation a rich heritage. Nevertheless, I am sometimes asked why I do not include more popular music in my teaching. I should like to explain why.
First off, through the internet and with their multi-use cell phones and MP3 players, students have more access to music these days than ever before. Most of the music they listen to is popular music. They don't need a professor to teach this to them. In the brief time I have with students who have enrolled in my class in an institution of higher education, I am most interested in exposing them to music to which they are largely unfamiliar, music which I believe has more artistic value than most popular music.
It is not just that classical repertoire has withstood the test of time. The “classical” repertoire educates as well as entertains. It ennobles us, and heightens our appreciation for what we, as humans in our finest moments, are capable of. Serious art music often presents an abstract musical idea that is expounded upon over a period of time. It is the equivalent of the sort of intelligent and thoughtful discourse too often absent from a popular society more accustomed to commercials and sound bites. Jazz often offers this “thoughtful discourse,“ as do many types of music from around the world. Western popular music, by and large, does not. It is often superficial providing the listener a temporary “high” by appealing to that which is most primitive within him or her. As a composer, I can tell you that it is simple to write music that people will tap their feet to, just like it is simple to whip up the masses with an attractive but hollow campaign slogan. Like candy or American fast food, so much popular music is quickly consumed, and just as quickly forgotten.
So do you think I dislike popular music? Not at all. I have my repertoire of popular music that I grew up with and I enjoy. But I appreciate it for what it is and do not wish to spend my students' valuable time with my personal preferences. Rather, I bring to my students my professional preferences, informed by reason, by my education and my experience. In my professional capacity as a music professor it is my responsibility to introduce to my students the finest music available. As for the popular music, I have no doubt that students will find it and enjoy it on their own, hopefully side by side with the music I offer them.
I conclude as I often do by sharing a Youtube video. I know of no better video that portrays the sheer joy of classical music. Here is a 3-year old boy conducting the last portion of Beethoven's Fifth Symphony.
BM


Clic here to read the story from its source.