After censors refused to grant Zawya permission to screen A Tin Tale, a short by Aida El-Kashef, it was made available for audiences online by the art house cinema initiative and the filmmaker herself
As part of its ‘Short Revisited' programme, (...)
Ahram Online speaks to Omar El Zohairy, director of The Aftermath of the Inauguration of the Public Toilet at the Kilometer 375, the first Egyptian film to make it to the Cannes Film Festival's Cinéfondation selection
In one memorable scene in Omar (...)
As the closing performance of this year's Spring Festival, organised by the Culture Resource, Azhar Park's Geneina Theatre hosted a memorable performance by Moroccan musician Aziz Sahmaoui
The 2014 Spring Festival, organised by Al-Mawred Al-Thaqafy (...)
As part of this year's Spring Festival, Downtown's Falaki Theatre hosted a performance of Monsters, the latest play by acclaimed Tunisian theatre director Ezzedine Gannoun and long-time writing partner Leila Toubel
On Tuesday 20 May, as part of this (...)
From 8-11 May, art house cinema initiative Zawya hosted a Mohamed Malas retrospective, bringing the Syrian filmmaker to Cairo where he spoke to Ahram Online about his influences and his latest film, Ladder to Damascus
In the final sequence of (...)
In 2010, Jafar Panahi, an icon of Iranian cinema in the past decade, was arrested from his home and later charged with “the intention to commit crimes against the country's national security and propaganda against the Islamic Republic.” In March (...)
On 25, 26 April, the American University in Cairo hosted a stimulating series of panel discussions tackling issues of film education, the film industry and criticism as part of its 'Post-2011 Cinema in Egypt' conference
On 25 and 26 April, Oriental (...)
Tuesday 22 April marked the launch reception of this year's Spring Festival, biennially organised by Al-Mawred Al-Thaqafy (Culture Resource). The reception was held in Cairo's Swiss Club and attended by members of the press as well as various (...)
One of the guests of the India by the Nile festival, renowned Indian actress Shabana Azmi speaks to Ahram Online about women, India's film industry, and Egypt's transitional process
In 1974, Shabana Azmi made her acting debut in the film Ankur by (...)
Last month, Misr International Films (Youssef Chahine) launched their highly-anticipated initiative Zawya to bring an alternative kind of cinema to Egyptian movie theatres, mainly by screening art house or independent films that normally wouldn't (...)
Egyptian film The Mice Room, screened for the first time in Egypt during Luxor's African Film Festival, follows six independent characters whose lives barely intersect but are unified by fear
Rarely does an Egyptian child grow up without hearing the (...)
The third edition of the Luxor African Film Festival came to an end with a closing ceremony held Monday night, 24 March, in Luxor's Rowing Club.
The ceremony was attended by Egyptian and international members of the jury, celebrities including (...)
This year's 6th annual Cairo Jazz Festival (CJF), which opened on Thursday 13 March, came to an end on Sunday 16 March. The festival featured a wide variety of local and international musicians, in addition to workshops and master classes that took (...)
Director Haifaa Al-Mansour's feature film Wadjda has garnered considerable international recognition, the pinnacle of which was the CinemAvvenire award at the Venice Film Festival and a BAFTA nomination for Best Film Not in the English (...)
Director Hany Fawzi's film Asrar Aa'eleya (Family Secrets), anticipated for its focus on a homosexual protagonist, fails to meet expectations and indeed does a disservice to its subject
Director Hany Fawzi'sAsrar Aa'eleya(Family Secrets) was much (...)
Although Cairokee were founded in 2003, eight whole years before the revolution, whatever successes they may have experienced as an underground band can hardly be compared to their post-25 January triumphs. Their hit single, Sowt El Horriya (The (...)
Rejected by censors more than three times, director Amr Salama's latest film, 'La Moakhza', rides high at Egyptian box office for its heart-felt look at a young boy trying to fit in
In one scene inLa Moakhza(Excuse My French), director Amr Salama's (...)
Rarely has an Egyptian film generated such enthusiastic speculation or had as many breaths held as Jehane Noujaim'sThe Square, which recently brought Egypt its very first Academy Award nomination. Such eager anticipation is not necessarily good for (...)
The cinematic year in Egypt is ending with Qalb El-Asad (Heart of the Lion), a movie by El-Sobky Productions, on top of the Egyptian box office. El-Sobky is famous for films with catchy themes that appeal to mass audiences, rather than movies with (...)
Nine films in different categories represent Egypt at the 13th edition of the Dubai International Film Festival (DIFF), running from 6 to 14 December this year, four of which compete for the Muhr Arab Documentary Award.
The Square
Leading the pack (...)
“It's very rare, especially in a country like ours and at the present moment, to find initiatives willing to support young filmmakers with no previous work of their own,” said Sondos Shabayek, director ofEl-Bent(The Girl), one of the five short (...)
The opening sequence of Alain Resnais'sHiroshima, Mon Amouris perhaps one of the most memorable in the history of cinema, brutally depicting the pain inflicted on the people of Hiroshima after the atomic bomb was dropped on the city.
The first ten (...)
Every night as the clock strikes eleven, the Egyptian Twittersphere is filled with music lovers gushing over the majesty ofEl Sett(The Lady): it's time for the daily Umm Kalthoum session on Gramafoon.com, the online radio taking the internet by (...)
Director and producer Marianne Khoury, founder of the Panorama of the European Film, speaks to Ahram Online about the ambitious initiative she started in 2004 and how it is set to expand in the future
In 2004, driven by a passion for cinema and a (...)
This year, the 6thedition of the Panorama of the European Film will be celebrating filmmaker Claire Denis, an icon of contemporary French cinema.
In a dedicated retrospective, two of the auteur's most significant films will be screened: Beau (...)