CAPMAS: Egypt's exports to UAE 141.2% in Jan–July, trade hits $5.4b    Egypt backs Sudan sovereignty, urges end to El-Fasher siege at New York talks    Egyptian pound weakens against dollar in early trading    Egypt's PM heads to UNGA to press for Palestinian statehood    As US warships patrol near Venezuela, it exposes Latin American divisions    More than 70 killed in RSF drone attack on mosque in Sudan's besieged El Fasher    Al-Wazir launches EGP 3bn electric bus production line in Sharqeya for export to Europe    Egypt, EBRD discuss strategies to boost investment, foreign trade    DP World, Elsewedy to develop EGP 1.42bn cold storage facility in 6th of October City    Global pressure mounts on Israel as Gaza death toll surges, war deepens    Cairo governor briefs PM on Khan el-Khalili, Rameses Square development    El Gouna Film Festival's 8th edition to coincide with UN's 80th anniversary    Cairo University, Roche Diagnostics inaugurate automated lab at Qasr El-Ainy    Egypt expands medical, humanitarian support for Gaza patients    Egypt investigates disappearance of ancient bracelet from Egyptian Museum in Tahrir    Egypt launches international architecture academy with UNESCO, European partners    Egypt's Sisi, Qatar's Emir condemn Israeli strikes, call for Gaza ceasefire    Egypt's Cabinet approves Benha-Wuhan graduate school to boost research, innovation    Egypt hosts G20 meeting for 1st time outside member states    Egypt to tighten waste rules, cut rice straw fees to curb pollution    Egypt seeks Indian expertise to boost pharmaceutical industry    Egypt harvests 315,000 cubic metres of rainwater in Sinai as part of flash flood protection measures    Al-Sisi says any party thinking Egypt will neglect water rights is 'completely mistaken'    Egyptian, Ugandan Presidents open business forum to boost trade    Egypt's Sisi, Uganda's Museveni discuss boosting ties    Egypt's Sisi warns against unilateral Nile measures, reaffirms Egypt's water security stance    Greco-Roman rock-cut tombs unearthed in Egypt's Aswan    Egypt reveals heritage e-training portal    Sisi launches new support initiative for families of war, terrorism victims    Egypt expands e-ticketing to 110 heritage sites, adds self-service kiosks at Saqqara    Palm Hills Squash Open debuts with 48 international stars, $250,000 prize pool    On Sport to broadcast Pan Arab Golf Championship for Juniors and Ladies in Egypt    Golf Festival in Cairo to mark Arab Golf Federation's 50th anniversary    Germany among EU's priciest labour markets – official data    Paris Olympic gold '24 medals hit record value    A minute of silence for Egyptian sports    Russia says it's in sync with US, China, Pakistan on Taliban    It's a bit frustrating to draw at home: Real Madrid keeper after Villarreal game    Shoukry reviews with Guterres Egypt's efforts to achieve SDGs, promote human rights    Sudan says countries must cooperate on vaccines    Johnson & Johnson: Second shot boosts antibodies and protection against COVID-19    Egypt to tax bloggers, YouTubers    Egypt's FM asserts importance of stability in Libya, holding elections as scheduled    We mustn't lose touch: Muller after Bayern win in Bundesliga    Egypt records 36 new deaths from Covid-19, highest since mid June    Egypt sells $3 bln US-dollar dominated eurobonds    Gamal Hanafy's ceramic exhibition at Gezira Arts Centre is a must go    Italian Institute Director Davide Scalmani presents activities of the Cairo Institute for ITALIANA.IT platform    







Thank you for reporting!
This image will be automatically disabled when it gets reported by several people.



True, passionate and popular
Published in Al-Ahram Weekly on 29 - 12 - 2011

The January Revolution has had a dramatic influence on Egyptian musicians and songwriters this year. Amira El-Noshokaty reviews a handful of revolution-inspired bands, while Sara Mourad asks people in Tahrir Square what they really feel about the new genre
Over the past year, Cairo's Tahrir Square has showcased the birth of some new talent as well as broadcasting the fame of more established bands, while also continuing as an inspiration to the young voices of Egypt.
One of the most outstanding groups to hit the scene was Eskenderella. As protesters, as well as musicians, they presented their patriotic and highly motivated songs to the thousands in the square. First established in 2005 by composer and founding member Hazem Shahine, the band started off by reviving Said Darwish songs and the lyrics of vernacular stalwart Fouad Haddad, as well as the patriotic tunes of Sheikh Imam Eissa. To this they added their own new and unique Egyptian songs with lyrics surpassing the commercial yearnings of fraught love. Getting a grip on patriotic and human stories stitched to authentic Egyptian tunes and voices, the band has left quite a mark on Egyptian music scene.
"Safha Gedida" ("A New Page"), released in February 2011, by poet Ahmed Haddad; and "Yohka Anna" ("Once Upon a Time") -- first released 2007, with a new version in 2011by renowned poet Amin Haddad are two of Eskenderella's most popular revolutionary songs. Moreover, the band was one of the few, if not the only one that sang about those slain in the revolution. "El Horeya Men al-Shohadaa" ("Freedom Comes from Martyrs") by Amin Haddad and "Enzil" ("Go Down") by Ahmed Haddad were just a few of the songs paying homage to our martyrs that evoked tears and solidarity among the thousands who flocked to hear them in and out of the square.
On the other hand, singer-songwriter Rami Essam gained fame after making his debut in Tahrir Square. The young musician gained fame on account of his satirical songs that mocked the rumours and false claims made by the Mubarak regime during the first 18 days of the Egyptian revolution, when they accused protesters of having a foreign agenda, being funded by other countries and being no more than thugs. In November Essam was awarded the Swedish Freemuse Award 2011. He played his hit songs "Tatti" ("Bow") and "Edhaki ya Thawra" ("Revolution, Do Laugh") on a Spanish guitar.
One of the most recent hits is "Sout al-Horeya" ("Sound of Freedom"), a joint song with Amir Eid (music and lyrics), the Cairokee band (vocals) and Hany Adel: Music producer, Sound Engineering and Vocals of Wust El Balad Band. On a parallel note, another hit song written jointly by Cairokee and singing star Aida El-Ayoubi, making a comeback after almost 20 years of absence from the stage, was "Yal Midan" ("O Square"). This tribute to the square brought out the best in all of us. The video clips of both songs are quite exceptional:;the clip for "Sout El Horeya", mainly footage from Tahrir Square, captured the spirit of the revolution.
While "Yal Midan" documented the latest protests as the camera roamed over clothes riddled with bullet holes, doctors' white coats, broken spectacles, onions and baking soda mixtures (items that defuse the effects of teargas) and the plastic shields of the central security police. However, the pronunciation and vocals of Cairokee and Wust Al-Balad lean very much towards the Western style, which detracts somewhat from the spirit of such patriotic songs.
As for Rami Gamal, this young face was suddenly on our screens as a result of his moving song "Bahebek Ya Bladi" ("I Love You, My Country"). The song was a hit and was shown often on national television. This instant hit, however, borrowed its key line and refrain from an old-time favourite written by vernacular poet Fouad Haddad and composed by Baliegh Hamdi. and was part of the soundtrack of the 1970s movie Al Omr Lahza (Life Is But A Moment): "Ya Baladi Ya Baladi, Ana Bahebek Ya Baladi" ("O My Homeland, My Homeland, I Love You My Homeland").
As for the rest of the lyrics, one line in particular resembles those of Abdel-Halim Hafez's famous song "Fedaai", written by the poet Mohamed Hamza in 1968. The lyrics of Hafez's song went: "Law mot ya omi ma tebkeesh, rah amout alashan baladi teesh;" ("If I die, O mother, please do not cry; I shall die so that my country may live"). Compare these to this year's lyrics as sung by Rami Gamal: "Olo lomi matezalish, wehyati andek matayateesh, ololha maaleshi ya omi, amot amot w baladna teish;" ("Tell my mother not to be sad, please do not cry, I will die so that my country can live.")
Knowing from where most of the music and lyrics have been borrowed goes some way to explaining the sense of nostalgia they evoke in an Egyptian audience, and why the song became a national hit.
However, the real surprise was the promotional songs of the Freedom and Justice (Muslim Brotherhood) and Al-Nour (Salafi) political parties. Freedom and Justice opted for a modern take, creating their own rap song featuring their own followers' imprisonment and torture. However, the release of such songs online brought some negative repercussions to Freedom and Justice when they were accused of singing despite the fact that singing is allegedly prohibited by religious hardliners. There is no evident data as to the identity of the poets and composers or even the producers of such songs.
One of Al-Nour's songs, however, explains that they are the young people of Egypt and will bring prosperity and justice to the nation.
It is interesting to see how the Salafi's point of view shifts when it comes to singing in their own media campaign. A few weeks ago, a Salafi Sheikh walked in on a concert in Mansoura governorate, stopped the singer from performing and claimed that singing was a sin. How bizarre is that!
Links:
1- Fedaai Song by Abdel-Halim Hafez, 1968
http://www.youtube.com/watch?v=VAr3NxcOhNI
2- Soundtrack of Al-Omr Lahza film 1970s
http://www.youtube.com/watch?v=Wi4q9xoR_uY
3- Rami Gamal's song
http://www.youtube.com/watch?v=vHuRxj6svvQ
4- Freedom and Justice Party rap song
http://www.youtube.com/watch?v=u8z4TwqBKhw
5- Al-Nour Party song
http://www.youtube.com/watch?v=ietRFb-exJ8


Clic here to read the story from its source.