Addis Ababa needs to correct course    The Senate and the return of party politics    Parliament's ‘driving force'    Promising progress    Al-Azhar to sue    After the US elections    Salah on target as Liverpool labour to 2-0 win over Midtjylland    Real snatch draw at Gladbach with late Casemiro goal    Egypt reports 170 new coronavirus cases, 11 deaths on Tuesday    Al-Sandouk Al-Aswad (The Black Box)    Sculptor Tarek Zabady, tamer of difficult materials    UEFA Champions League results & fixtures (2nd matchday)    The anatomy of beauty    Sudan doubles local fuel prices with immediate effect: Ministry    Egyptian child Maysarah wins Austria 2020 'Person of the Year' award    Pfizer says no COVID-19 vaccine data yet, could be week or more before it reports    Saudi Arabia holds off from backing action against France over cartoons    Sudan's Burhan arrives in Cairo, meets with Egypt's Sisi    Egyptian insurance companies' premiums 9.6% up in five months    Egypt's President Sisi names new head of anti-corruption watchdog    Egypt's offers 18 bln pounds T-bills on Sunday    EgyptAir offering discounts for some international flights    Egypt records 212 new coronavirus cases, 14 deaths on Saturday    Egypt to require PCR coronavirus tests for airport travelers    Egypt sends 125 tonnes of glass by sea to Beirut    Legend Messi officially wants to leave Barcelona, hands transfer request    Global smartphone sales drop 20% in Q2, yet Apple's iPhone sales steady    Sisi: Egypt keen on establishing development projects with Iraq, Jordan    Egyptian megastar Amr Diab releases new hit music video    Making of Harry Potter will be available for fans at new park in Tokyo    Egypt's Senate elections official results to be announced Wednesday    Netflix Egypt is bringing megastar Amr Diab back with a new original    Egypt reopens Rafah border crossing for first time since April    Egypt's senate elections 2020 trending on social media in few days    African Champions League final will be played on Oct. 16-17, CAF says    No room to delay Egyptian Premier League games – EFA's board member    The Facebook Preacher's Search for Fame, and Egypt's Economy    Egypt calls on UNSC to address oil spill risks off Yemen coast    Egypt economically strong in face of COVID-19, reforms ongoing: International Cooperation Minister    Arafa Holding reports $144,000 COVID-19-related losses in April    Egypt's efforts in Libya to activate free will of Libyan people: Al-Sisi    Hyksos campaigns were internal takeover, not foreign invaders: study    COVID-19 affects Egypt sporting clubs    COVID-19 will soon turn to seasonal like swine flu: Presidential Health Advisor    ‘Egypt's Support' coalition convenes to discuss its Senate election list    Robbery attempt leads to discovery of Ptolemaic monuments in Qena    Flouting international guidance, Ethiopia unilaterally starts filling its Nile dam    Zaha speaks out after online racial abuse    

Thank you for reporting!
This image will be automatically disabled when it gets reported by several people.

In 'Women Make Film,' a 14-hr epic of an overlooked history
Published in Ahram Online on 12 - 09 - 2019

The length of Mark Cousin's 14-hour documentary "Women Make Film'' is itself a statement. The work of female filmmakers throughout cinema history is too rich and too vast for anything less.
Cousins' epic film, which has been playing throughout the Toronto International Film Festival, is not a chronological history but a personal, roving exploration of a cinema terrain often forgotten, overlooked or underappreciated. It digs deeply into the artistry of some 183 female directors from throughout film history and around the globe. Its abiding tenor is one of awe, reverence and celebration.
"This is a film school of sorts in which all the teachers are women: an academy of Venus,'' introduces Tilda Swinton, a narrator and producer.
Cousins, the Scotland-based documentarian and film critic, grants "Women Make Film'' could have been a more standard 90-minute movie, but that would have done its subjects a disservice.
"If we say there's a forgotten history or a sequestered history, the physical size of the piece needs to speak for itself,'' Cousins, outfitted in a "Masculine Feminine'' T-shirt, said in an interview "It's not like there have been little crumbs dropped back through film history. There are massive histories that have been forgotten.''
Along with Swinton, "Women Make Film'' is narrated by Jane Fonda, Adjoa Andoh, Thandie Newton, Kerry Fox, Sharmila Tagore and Debra Winger. Swinton opens the documentary with the matter-of-fact declaration: "Most films have been directed by men. Most of the recognized so-called movie classics were directed by men. But for 13 decades and on all six filmmaking continents, thousands of women have been directing films, too. Some of the best films.''
"Women Make Film'' charts, instead, "a new road movie through cinema'' that aspires to upend much of the traditional, male-dominated understanding of film history.
It passionately argues that "Lynchian'' _ the surreal characteristics of David Lynch's films _ ought to, perhaps instead, be first associated with the Ukrainian filmmaker Kira Muratova, whose movies were censored in the Soviet Union. It exalts Mia Hansen-Love's floating camera in "Things to Come'' (2016), the sense of home in Lynne Ramsay's "Ratcatcher'' (1999) and the staging of Joanna Hogg in "Unrelated'' (2007). The memorable tracking shot of Chantal Akerman's 1993 documentary "From the East'' _ a slow pass across the faces of people awaiting transportation in Eastern Europe _ Cousins' film maintains, is on par with anything Orson Welles ever did.
"Forget gender for a moment. The playing field is not level. There's something wrong with our film culture if we don't talk about that shot,'' says Cousins.
Cousins' equally ambitions 900-minute "The Story of Film: An Odyssey'' (2012) similarly assembled a loving and singular journey through film that bubbles with wonder. "Women Make Film,'' Cousins estimates, took four years to make, all the while without funding. But the more proper timeline, he says, spans a lifetime of movie watching.
In those four years, attention and frustration has only grown for the wide disparities between women and men in the film industry, particularly behind the camera. Research studies have found that last year, just 8% of the directors for the top 250 films at the U.S.-Canada box office were directed by women, a three percentage point decline from the year before.
What Cousins wants to contribute to the ongoing dialogue is a closer and more informed study _ and sheer enjoyment _ of the work.
"Yes, man _ or woman _ the barricades. Yes, get angry. But if you have no sense of where it's coming from, there's a danger of making arguments that aren't actually true,'' says Cousins. "I just worry that the debate is under-imagined. If we say the film industry hasn't let women make films _ which is broadly true _ there's a risk that we re-sequester these women. We write them out of history for a second time.''
"Women Make Film'' was quickly acquired in Toronto. Cohen Media will release it in theaters, with Criterion Collection set to stream it and television rights going to Turner Classic Movies. Kanopy took rights to show it in schools and public libraries. TCM's vice president of programming, Charles Tabesh, credited "Women Make Film'' with illuminating "masterpieces that need to be seen by anyone who wants to understand the art of filmmaking.''
"Cinema is even better than we think,'' Cousins says. "This medium that we love, it's even richer than we know.''
For more arts and culture news and updates, follow Ahram Online Arts and Culture on Twitter at @AhramOnlineArts and on Facebook at Ahram Online: Arts & Culture

Clic here to read the story from its source.