"Narrative Summit" Releases 2025 Recommendations to Cement Egypt's Position as a Global Tourism Destination    Egypt, S.Arabia step up trade ties through coordination council talks    Egypt reviews progress on $200m World Bank-funded waste management hub    Egypt urges Israel to accept Gaza deal amid intensifying fighting    Egypt, ADIB explore strategic partnership in digital healthcare, investment    SCZONE, Tokyo Metropolitan Government sign MoU on green hydrogen cooperation    Egypt welcomes international efforts for peace in Ukraine    Al-Sisi, Macron reaffirm strategic partnership, coordinate on Gaza crisis    Contact Reports Strong 1H-2025 on Financing, Insurance Gains    Egypt, India's BDR Group in talks to establish biologics, cancer drug facility    AUC graduates first cohort of film industry business certificate    Egyptian pound down vs. US dollar at Monday's close – CBE    Egypt's FM, Palestinian PM visit Rafah crossing to review Gaza aid    Egypt prepares unified stance ahead of COP30 in Brazil    Egypt recovers collection of ancient artefacts from Netherlands    Egypt harvests 315,000 cubic metres of rainwater in Sinai as part of flash flood protection measures    Egypt, Namibia explore closer pharmaceutical cooperation    Fitch Ratings: ASEAN Islamic finance set to surpass $1t by 2026-end    Renowned Egyptian novelist Sonallah Ibrahim dies at 88    Egyptian, Ugandan Presidents open business forum to boost trade    Al-Sisi says any party thinking Egypt will neglect water rights is 'completely mistaken'    Egypt's Sisi warns against unilateral Nile measures, reaffirms Egypt's water security stance    Egypt's Sisi, Uganda's Museveni discuss boosting ties    Egypt, Huawei explore healthcare digital transformation cooperation    Egypt's Sisi, Sudan's Idris discuss strategic ties, stability    Egypt to inaugurate Grand Egyptian Museum on 1 November    Greco-Roman rock-cut tombs unearthed in Egypt's Aswan    Egypt reveals heritage e-training portal    Sisi launches new support initiative for families of war, terrorism victims    Egypt expands e-ticketing to 110 heritage sites, adds self-service kiosks at Saqqara    Palm Hills Squash Open debuts with 48 international stars, $250,000 prize pool    On Sport to broadcast Pan Arab Golf Championship for Juniors and Ladies in Egypt    Golf Festival in Cairo to mark Arab Golf Federation's 50th anniversary    Germany among EU's priciest labour markets – official data    Paris Olympic gold '24 medals hit record value    A minute of silence for Egyptian sports    Russia says it's in sync with US, China, Pakistan on Taliban    It's a bit frustrating to draw at home: Real Madrid keeper after Villarreal game    Shoukry reviews with Guterres Egypt's efforts to achieve SDGs, promote human rights    Sudan says countries must cooperate on vaccines    Johnson & Johnson: Second shot boosts antibodies and protection against COVID-19    Egypt to tax bloggers, YouTubers    Egypt's FM asserts importance of stability in Libya, holding elections as scheduled    We mustn't lose touch: Muller after Bayern win in Bundesliga    Egypt records 36 new deaths from Covid-19, highest since mid June    Egypt sells $3 bln US-dollar dominated eurobonds    Gamal Hanafy's ceramic exhibition at Gezira Arts Centre is a must go    Italian Institute Director Davide Scalmani presents activities of the Cairo Institute for ITALIANA.IT platform    







Thank you for reporting!
This image will be automatically disabled when it gets reported by several people.



Shrek's kiss forever after
Published in Daily News Egypt on 09 - 06 - 2010

Nearly 10 years since “Shrek” first brought in the green at the box office, writer Walt Dohrn takes everyone's favorite ogre through a metaphysical paradox, and asks the following question: What would happen to the land of Far, Far Away if Shrek had never been born?
The audience is given the answer through a series of science fiction plot twists in RealD 3D, which employ alternate timelines and hint at the possibility of a multiverse in the lore of fairy tales.
The fourth in the “Shrek” series of animated films, “Forever After” opens with a flashback of an untold story from the first film: King Harold (John Cleese) and Queen Lillian (Julie Andrews) meet with Rumpelstiltskin in a last-ditch, desperate attempt to break the curse on their daughter, Fiona, who is doomed to be a beautiful princess by day and horrible ogre by night.
Rumpelstiltskin draws up a contract which would break the curse on their daughter but through feint and duplicity would also allow him to dethrone the rightful monarchs and usurp power for himself.
But his designs are derailed by the singular, yet fateful kiss shared between Shrek (Mike Myers) and Fiona (Cameron Diaz) in the first “Shrek” film.
Fast-forward several years. Rumpelstiltskin is a drunk who runs a tab and gets tossed on his derriere from local tavernas. His arch-nemesis Shrek is a happy family man, changing nappies, running errands for the wife, hosting Donkey (Eddie Murphy) and his family every day.
Every day.
Happy? Suddenly, “Shrek Forever After” takes a dark turn; the happily-ever-after fairy tale crashes into the reality of a life married with children.
The animated feature becomes more of a treatise on adult 'tear-and-wear' — the monotony of marriage, the responsibilities of raising children, the encroaching midlife crisis, and the yearning for the freedom and exciting opportunities of bachelorhood.
A resentful Shrek wants out; Fiona says: "You have everything, everyone sees that, why can't you?"
Re-enter Rumpelstiltskin who offers Shrek a Faustian contract of a lifetime; the ogre signs on the dotted line and *poof* his reality is erased as he is transported to a timeline in which he was never born.
*Poof* Meanwhile, I was transported to Charles Dickens' A Christmas Carol and along the way, Frank Capra's “It's a Wonderful Life” (1946) came along for the ride.
Is there nothing original in Hollywood anymore? Despite this Dickensian travel through time, “Shrek” works because it deals with real issues. Sure, it may be set against the fairy tale backdrop but the temptations of throwing in the towel and hitting the reset button are all too real.
In what is surely to be viewed as allegory on the global economic downturn befell by the sub-prime and mortgage crisis, Shrek signs the contract without reading the fine print and consequently loses his home and position. Much too real and painful.
The laughs in “Shrek” this time around are few and far between but this is more than compensated by the "action" sequences between the newly-introduced witches on brooms, who are obviously not in Kansas anymore (that's right, they hail directly from Oz) and the new ogre army led by Fiona.
(Shhh ... don't tell anyone, but our Shrek is actually tiny in comparison to other ogres)
Miniscule, and nearly irrelevant, are the roles of Donkey and Puss in Boots (Antonio Banderas); they are hardly noticeable next to Rumpelstiltskin (Dohrn), who is so deliciously diabolical that you find yourself almost rooting for him, and Fiona's army who are better armed with one-liners than maces and swords.
Jeffrey Katzenberg, Dreamworks' animation head, promised that this would be a different Shrek and in his opinion "the best one yet." He isn't wrong. “Shrek the Third” was lackluster and seemed to be banking on a tiring story line. “Forever After” is a suitably fun ending to the franchise — not a great film, but definitely an enjoyable one.
Is it really the end? One can never tell in the land of Far, Far Away.
“Shrek Forever After” is released in Egypt next week.


Clic here to read the story from its source.