Egypt's NUCA, SHMFF sign New Cairo land allocation for integrated urban project    CIB named Egypt's Bank of the Year 2025 as factoring portfolio hits EGP 4bn    Egypt declares Red Sea's Great Coral Reef a new marine protected area    Oil prices edge higher on Thursday    Gold prices fall on Thursday    Egypt, Volkswagen discuss multi-stage plan to localise car manufacturing    Egypt denies coordination with Israel over Rafah crossing    Egypt to swap capital gains for stamp duty to boost stock market investment    Egypt tackles waste sector funding gaps, local governance reforms    Egypt, Switzerland explore expanded health cooperation, joint pharmaceutical ventures    Egypt recovers two ancient artefacts from Belgium    Private Egyptian firm Tornex target drones and logistics UAVs at EDEX 2025    Egypt opens COP24 Mediterranean, urges faster transition to sustainable blue economy    Egypt's Abdelatty urges deployment of international stabilisation force in Gaza during Berlin talks    Egypt, Saudi nuclear authorities sign MoU to boost cooperation on nuclear safety    Giza master plan targets major hotel expansion to match Grand Egyptian Museum launch    Australia returns 17 rare ancient Egyptian artefacts    China invites Egypt to join African duty-free export scheme    Egypt calls for stronger Africa-Europe partnership at Luanda summit    Egypt begins 2nd round of parliamentary elections with 34.6m eligible voters    Egypt warns of erratic Ethiopian dam operations after sharp swings in Blue Nile flows    Egypt scraps parliamentary election results in 19 districts over violations    Egypt extends Ramses II Tokyo Exhibition as it draws 350k visitors to date    Egypt signs host agreement for Barcelona Convention COP24 in December    Al-Sisi urges probe into election events, says vote could be cancelled if necessary    Filmmakers, experts to discuss teen mental health at Cairo festival panel    Cairo International Film Festival to premiere 'Malaga Alley,' honour Khaled El Nabawy    Egypt golf team reclaims Arab standing with silver; Omar Hisham Talaat congratulates team    Egypt launches National Strategy for Rare Diseases at PHDC'25    Egypt launches Red Sea Open to boost tourism, international profile    Omar Hisham Talaat: Media partnership with 'On Sports' key to promoting Egyptian golf tourism    Sisi expands national support fund to include diplomats who died on duty    Egypt's PM reviews efforts to remove Nile River encroachments    Egypt resolves dispute between top African sports bodies ahead of 2027 African Games    Germany among EU's priciest labour markets – official data    Paris Olympic gold '24 medals hit record value    It's a bit frustrating to draw at home: Real Madrid keeper after Villarreal game    Russia says it's in sync with US, China, Pakistan on Taliban    Shoukry reviews with Guterres Egypt's efforts to achieve SDGs, promote human rights    Sudan says countries must cooperate on vaccines    Johnson & Johnson: Second shot boosts antibodies and protection against COVID-19    Egypt to tax bloggers, YouTubers    Egypt's FM asserts importance of stability in Libya, holding elections as scheduled    We mustn't lose touch: Muller after Bayern win in Bundesliga    Egypt records 36 new deaths from Covid-19, highest since mid June    Egypt sells $3 bln US-dollar dominated eurobonds    Gamal Hanafy's ceramic exhibition at Gezira Arts Centre is a must go    Italian Institute Director Davide Scalmani presents activities of the Cairo Institute for ITALIANA.IT platform    







Thank you for reporting!
This image will be automatically disabled when it gets reported by several people.



Strong on technique, weak on 'connection'
Published in Daily News Egypt on 07 - 03 - 2008

The Falaki Gallery at the American University in Cairo is hosting an exhibition displaying the works of faculty members and guest artists. The gallery is a bit on the empty side though, compared to last year's installment. Only the backroom of the gallery is being used for "Nearing Connections, where canvases sparingly adorn the walls.
The theme of the show is interweaving culture and dialogue in search of a deeper connection - which goes completely over my head.
Not to knock the displayed works, which clearly reflect diverse and creative techniques; it's just that these connections are difficult to comprehend without a detailed walkthrough from the artists themselves.
The collection that first grabs your attention is "Japanese Lacquers by Marianne Rask. Hailing from Copenhagen, Rask is one of the exhibition's most accomplished artists.
The square planks have a pearly shine to them. Bronze and green squares and lines come together on a black background, looking very Asian.
Another piece is starkly different, using earthy brown and beige tones with small patterns, which looks like an ant nest in the desert.
Other pieces are more modern, making use of bright green and orange patterns.
Brian Curling, director of the Falaki Gallery and a faculty member of the Performing and Visual Arts department, has his own work on display. One instillation called "Unwritten History of Mobility displays handmade books.
The first stack of books stands on a wooden stool, the empty papers tied together with strings. Three more stands are connected to each other with a thin rope. Strewn upon the floor are rows of open books, their pages blank. Also by Curling is a collection of distinctive drawings, highlighting the young professor's penchant for drawing abstract trees. His images look as if they were drawn in pencil, and many of the pieces are a combination of lines and undefined dots. The background is painted white, adding texture to the original color of the paper.
One of his works, "The Place Ain't the Same No More shows winter skeleton trees, following the same technique that gives the impression of a rainstorm.
The next set of works by Danish textile designer and weaver Isabel Masden displays colorful, woven square boards of linen, silk and Japanese paper.
The one that stands out shows two domes above the square, mimicking the silhouette of a Nubian architectural design. It may be pure coincidence that the colors she utilizes in this particular piece are those of the Egyptian flag: red, white, black and a golden yellow.
Perhaps the most representative of "connecting cultures is the work of AUC professor Gamal Lamie. His series "Dialogue among Civilizations uses mixed media: encaustic, handmade paper and paper cut-outs.
He displays an influence of Asian art, with cut-outs looking like Japanese dolls populating his work. Another piece is African inspired, looking quite Egyptian with a donkey (or perhaps a giraffe) in the center.
"The Dream of Peace is almost childlike in an enchanted magical way. Cut-outs of little boys on doves and young girls on flying fish inject the canvas with an intense sense of jubilation. Perhaps because that's what peace is - a fairytale.
Another of Lamie's collections mixes media as well as cultures. "Pray in India, Don't Fight in Greece is a good example. As the name implies, the colorful painting shows little windows with black and white prints of Buddhas juxtaposed with images of warriors. Touches of Islamic art can also be observed in this work.
A table at the back of the hall displays the works of Francesca Pinol Torrent, a textile designer and professor of textile art at the Escola Massana in Barcelona. There's something about the thread and needle work in her art that evokes images of a scene from Disney's "Sleeping Beauty.
On the table lies silk, linen, crochet, copper and golden thread as well as a large sewing needle and another fancy gadget. This display is entitled, "The Thread of Life - deep.
Generally, the exhibition is fine to look at and makes up in technique what it lacks in overall concept.
Falaki GalleryThe American University in Cairo12-9 pm


Clic here to read the story from its source.