Egypt to begin second phase of universal health insurance in Minya    Madrid trade talks focus on TikTok as US and China seek agreement    Egypt hosts 4th African Trade Ministers' Retreat to accelerate AfCFTA implementation    Egypt's Investment Minister, World Bank discuss strengthening partnership    El Hamra Port emerges as regional energy hub attracting foreign investment: Petroleum Minister    Power of Proximity: How Egyptian University Students Fall in Love with Their Schools Via Social Media Influencers    Egypt wins Aga Khan Award for Architecture for Esna revival project    Egypt's Sisi, Qatar's Emir condemn Israeli strikes, call for Gaza ceasefire    Egypt's gold prices hold steady on Sep. 15th    EHA launches national telemedicine platform with support from Egyptian doctors abroad    Egypt's Foreign Minister, Pakistani counterpart meet in Doha    Egypt condemns terrorist attack in northwest Pakistan    Emergency summit in Doha as Gaza toll rises, Israel targets Qatar    Egypt advances plans to upgrade historic Cairo with Azbakeya, Ataba projects    Egyptian pound ends week lower against US dollar – CBE    Egypt hosts G20 meeting for 1st time outside member states    Lebanese Prime Minister visits Egypt's Grand Egyptian Museum    Egypt to tighten waste rules, cut rice straw fees to curb pollution    Egypt seeks Indian expertise to boost pharmaceutical industry    Egypt prepares unified stance ahead of COP30 in Brazil    Egypt harvests 315,000 cubic metres of rainwater in Sinai as part of flash flood protection measures    Egyptian, Ugandan Presidents open business forum to boost trade    Al-Sisi says any party thinking Egypt will neglect water rights is 'completely mistaken'    Egypt's Sisi warns against unilateral Nile measures, reaffirms Egypt's water security stance    Egypt's Sisi, Uganda's Museveni discuss boosting ties    Egypt, Huawei explore healthcare digital transformation cooperation    Greco-Roman rock-cut tombs unearthed in Egypt's Aswan    Egypt reveals heritage e-training portal    Sisi launches new support initiative for families of war, terrorism victims    Egypt expands e-ticketing to 110 heritage sites, adds self-service kiosks at Saqqara    Palm Hills Squash Open debuts with 48 international stars, $250,000 prize pool    On Sport to broadcast Pan Arab Golf Championship for Juniors and Ladies in Egypt    Golf Festival in Cairo to mark Arab Golf Federation's 50th anniversary    Germany among EU's priciest labour markets – official data    Paris Olympic gold '24 medals hit record value    A minute of silence for Egyptian sports    Russia says it's in sync with US, China, Pakistan on Taliban    It's a bit frustrating to draw at home: Real Madrid keeper after Villarreal game    Shoukry reviews with Guterres Egypt's efforts to achieve SDGs, promote human rights    Sudan says countries must cooperate on vaccines    Johnson & Johnson: Second shot boosts antibodies and protection against COVID-19    Egypt to tax bloggers, YouTubers    Egypt's FM asserts importance of stability in Libya, holding elections as scheduled    We mustn't lose touch: Muller after Bayern win in Bundesliga    Egypt records 36 new deaths from Covid-19, highest since mid June    Egypt sells $3 bln US-dollar dominated eurobonds    Gamal Hanafy's ceramic exhibition at Gezira Arts Centre is a must go    Italian Institute Director Davide Scalmani presents activities of the Cairo Institute for ITALIANA.IT platform    







Thank you for reporting!
This image will be automatically disabled when it gets reported by several people.



Glorious Gayane
Published in Al-Ahram Weekly on 26 - 04 - 2007

Amal Choucri Catta goes Yerevan
Armenian National Academic Opera and Ballet Theatre, Yerevan, presenting "Gayane" by Aram Khachaturian, conductor Karen Durgaryan, choreographer Hovhannes Divanyan, Cairo Opera House Main Hall, 15 April, 8pm; Sayed Darwish Theatre, Alexandria 18 April, 8pm.
The music soared as the curtain rose to the colourful prospect of an Armenian village with lovely girls dancing in beautiful costumes, while Maestro Karen Durgaryan drove his orchestra to incredible heights of sound and percussions seemed to be shrieking their delight into the auditorium.
That night, the Armenian National Academic Opera and Ballet Theatre was presenting Aram Khachaturian's three-act ballet "Gayane", to a full house: it was one of the sunniest choreographic creations, signed Hovhannes Divanyan, a leading professional ballet dancer in Armenia, who teaches at the Yerevan State Choreographic School and has performed in many countries. Combining classical ballet sur pointes with Armenian folk dances, he succeeded in creating an enchanting if rather unusual language of gesture and movement, with excellent solos, thrilling pas-de-deux and fascinating formations of the corps de ballet. Lights were low and the ambiance sentimental in romantic love scenes, while they became bright and played on vivid textures in sequences of joy and happiness. There were, however, moments of sorrow and sadness, when the entire scene turned dark and grey, while the performer was in a dramatic state of hopelessness and anguish. Such was the case with Giko who loved Gayane, but was not loved by her.
As the story goes in this version, Gayane, a lovely village girl, loves Armen, a likewise lovely village boy. There is, however, a third party in the show: Giko. He is jealous, watching the happy couple and realising Gayane was never meant for him. He therefore decides to kidnap her, but Armen and the village people discover his whereabouts and Giko is compelled to leave the village. Emotionally, this is one of the most painful moments: it is, however, soon forgotten, for Gayane and Armen are married in Act Three with the entire corps de ballet celebrating the wedding. In this final act, the famous sabre dance gloriously concludes the performance, while the Maestro is granted a special ovation.
It is generally accepted that the ballet's first and second versions of Perm in 1942 and Leningrad in 1952, were in four acts, and the plot took place during World War Two. In that version Giko was Gayane's husband and a traitor dealing with the enemy. Gayane and her lover Armen were against him and the entire plot seemed at the time to be a masterpiece of Armenian patriotism. After the war, however, the plot underwent certain changes while being successfully adapted to the new post-war situation. The music remained the same and the ballet was applauded wherever and whenever it was performed. At Cairo Opera's Main Hall, the audience cheered all performers, with extra bravos for the Maestro.
Born in 1969 in Yerevan, Karen Durgaryan graduated in 1994: he had studied chamber music and was a flute soloist at the state conservatoire before turning to conducting. In 1995 he was appointed associate conductor and was resident conductor of the Yerevan Symphony Orchestra. Winning fame and public acclaim Durgaryan conducted a number of major concerts of the Armenian Philharmonic Orchestra with the celebrated Lebanese prima donna, Fairouz. Since March 2001 he has been principal conductor of the Yerevan Opera and Ballet Theatre. At Cairo's Main Hall, his performance was spectacular. But so was Khachaturian's music.
Aram Khachaturian, probably the most famous Armenian composer to this day, was born in Kodzhori, a suburb of Tiflis, on 6 June 1903 to a family of bookbinders. Though musically quite talented, he was 19 when he entered the Gniesin Musical School in Moscow in 1922, from 1929 to 1934 studying at the Moscow Conservatoire. He also worked with Serguey Prokofiev after the latter's definite return to Russia in 1933. By then, Khachaturian had written his famous "Toccata", the trio for piano, violin and clarinet, as well as a suite de danse, while simultaneously obtaining a degree in biology from the department of physics and mathematics at Moscow State University. Mainly influenced by Armenian folklore and traditional music, his works are particularly colourful. Written in 1934 for the 15th anniversary of the then Soviet Armenian Republic, his First Symphony is reminiscent of his endeavours for musical change, which he finally achieved in 1936 with his piano concerto dedicated to Lev Oborin, the famous Russian pianist.
It is a brilliant composition filled with ethnic flavour, complex and expressive rhythms, audacious harmonies and marvellous orchestral hues. Lyricism and virtuosity are further expressed in his concerto for violin written in 1940 and dedicated to the renowned Russian David Oistrach, considered one of the greatest violinists of his day. It was, however, his two ballets "Gayane" and "Spartacus" that were acclaimed by Moscow critics as masterpieces, together with four orchestral suites for the international symphonic repertoire, and three orchestral suites from "Gayane". The author of some 50 works, Khachaturian began conducting in 1950, appearing in several countries with programmes of his own works. He was the first composer to place Armenian music in an international context: though his forms are Western-based, they are enriched with innovations influenced by the art of ashugh, the ornamental style of mediaeval monody and the purity of national idioms, as well as with peasant songs and urban instrumental folklore. During his lifetime, Khachaturian won international recognition: elected full member of the Armenian Soviet Republic's Academy of Sciences in 1963, honourary Academician of the Italian Music Academy "Santa Cecilia" in 1960, honourary professor of the Mexican Conservatoire and corresponding member of the Academy of Arts of the German Democratic Republic in 1960. He died on 1 May 1978 in Moscow and was buried in Yerevan.
With one show in Cairo and another in Alexandria, the Gayane performances celebrated the 15th anniversary of the establishment of diplomatic relations between Armenia and Egypt. Gayane being a most welcome newcomer to the Cairo Opera House, local audiences would have preferred a greater number of performances. Nevertheless, after Giko's sad retreat from the flamboyant village, Gayane's wedding was a smashing hit and the sabre dance a sensational feat.


Clic here to read the story from its source.