BII, AfDB, EBRD to provide $479.1m for Egypt solar and battery project    Russia seeks mediator role in Mideast, balancing Iran and Israel ties    Pakistan FM warns against fake news, details Iran-Israel de-escalation role    LTRA, Rehla Rides forge public–private partnership for smart transport    Electricity Minister discusses enhanced energy cooperation with EIB, EU delegations    Divisions on show as G7 tackles Israel-Iran, Russia-Ukraine wars    Egyptian government reviews ICON's development plan for 7 state-owned hotels    Egyptian pound rebounds at June 16 close – CBE    China's fixed asset investment surges in Jan–May    Egypt, IFC explore new investment avenues    EHA, Konecta explore strategic partnership in digital transformation, smart healthcare    Egyptian ministers highlight youth role in shaping health policy at Senate simulation meeting    Sisi launches new support initiative for families of war, terrorism victims    Egypt's GAH, Spain's Konecta discuss digital health partnership    Egypt nuclear authority: No radiation rise amid regional unrest    Grand Egyptian Museum opening delayed to Q4    Egypt delays Grand Museum opening to Q4 amid regional tensions    Egypt slams Israeli strike on Iran, warns of regional chaos    Egypt expands e-ticketing to 110 heritage sites, adds self-service kiosks at Saqqara    Egypt's EDA joins high-level Africa-Europe medicines regulatory talks    US Senate clears over $3b in arms sales to Qatar, UAE    Egypt discusses urgent population, development plan with WB    Egypt's Irrigation Minister urges scientific cooperation to tackle water scarcity    Egypt, Serbia explore cultural cooperation in heritage, tourism    Egypt discovers three New Kingdom tombs in Luxor's Dra' Abu El-Naga    Egypt launches "Memory of the City" app to document urban history    Palm Hills Squash Open debuts with 48 international stars, $250,000 prize pool    Egypt's Democratic Generation Party Evaluates 84 Candidates Ahead of Parliamentary Vote    On Sport to broadcast Pan Arab Golf Championship for Juniors and Ladies in Egypt    Golf Festival in Cairo to mark Arab Golf Federation's 50th anniversary    Germany among EU's priciest labour markets – official data    Cabinet approves establishment of national medical tourism council to boost healthcare sector    Egypt's PM follows up on Julius Nyerere dam project in Tanzania    Egypt's FM inspects Julius Nyerere Dam project in Tanzania    Paris Olympic gold '24 medals hit record value    A minute of silence for Egyptian sports    Russia says it's in sync with US, China, Pakistan on Taliban    It's a bit frustrating to draw at home: Real Madrid keeper after Villarreal game    Shoukry reviews with Guterres Egypt's efforts to achieve SDGs, promote human rights    Sudan says countries must cooperate on vaccines    Johnson & Johnson: Second shot boosts antibodies and protection against COVID-19    Egypt to tax bloggers, YouTubers    Egypt's FM asserts importance of stability in Libya, holding elections as scheduled    We mustn't lose touch: Muller after Bayern win in Bundesliga    Egypt records 36 new deaths from Covid-19, highest since mid June    Egypt sells $3 bln US-dollar dominated eurobonds    Gamal Hanafy's ceramic exhibition at Gezira Arts Centre is a must go    Italian Institute Director Davide Scalmani presents activities of the Cairo Institute for ITALIANA.IT platform    







Thank you for reporting!
This image will be automatically disabled when it gets reported by several people.



Metamorphosis: the language of art
Gamal Meleka's collection of spontaneous paintings capture his feelings in a blur of colour, recount Egyptian history in palpable emotion
Published in Ahram Online on 06 - 12 - 2011

In Metamorphosis, a collection of paintings, we experience colour in raw form. Like childish doodles, only much more artful and infused with layers of memories and emotions, Gamal Meleka's paintings intrigue and comfort.
Rich with lively colours and figures that seem to move; each piece is a story in its own right. Characterised with motion and spontaneity, Meleka's style not only recreates a scene from his memory; it also takes the viewer inside it.
On the white walls of the petite gallery Meleka frequently infuses the Sphinx and the Pyramids among webs of frenzied colour. Like a doorway to a more colourful, alternate world, Meleka's artwork is bold and candid.
Exhibition titled Metamorphosis is originally a four year-old collection that the artist dedicated solely to the half-lion, half-man Sphinx. The message was simple: a contemporary perspective on the legendary ancient Egyptian symbol.
Meleka strays away from the monochromatic sandy colour, and clothes the icon with a dynamic palette that “expresses his soul, his appearance.” The Sphinx tells the story of his own history and takes you through the portals of time - ancient and modern.
The artist has been living in Italy for the past 35 years, yet his Egyptian heritage shines through his art.
“It is all about your roots,” Meleka says. Within the inarticulate mess of colour in each of his paintings, we spot authentic Egyptian icons and sense an authentic Egyptian feel.
One of the most striking pieces is a red-based canvas with a myriad of moving figures stretched out across the surface. Pyramids are scribbled everywhere. The crowdedness of the piece is atmospherically reminiscent of Cairo's hustle and bustle. “This piece reflects the fast-paced society that we live in today.”
Meleka says he attempts to record emotions through his art. “Feelings are fleeting,” he says. “That's why you can't hesitate as you document it with every brushstroke.”
Gamal Meleka's art depends on motion, and a fast-paced nature pervades his paintings.
“Speed is the most important element,” Meleka says before being interrupted by one of his guests. Surprisingly, he picks up exactly where he leaves off. “This speed reflects an internal feeling, which comes for a moment, and then passes you by.”
"The faster you work, the more you are able to preserve the feeling exactly as it first materialised", Meleka explains. “The artist should really attempt to capture the moment, and reflect it in a moment,” he says.
Meleka is very keen on creating every art piece on the spot. He does not believe in going back and meticulously fixing every colour and every brushstroke, because every movement is a feeling. “How can I go back and fix a feeling?”
Meleka says he uses colour to give dimension and meaning to his paintings. “The colours I use reflect the texture of Cairo, they are vibrant, yet murky, as if there is a coat of dust on the surface.” It's all very bold, very alive, and very honest.
Meleka is inspired by the old and new colours of Cairo. The artist insists that Italy, his home for over three decades now, has only matured his artistic vision. But it has not affected his roots.
Originally from Egypt, now Gamal Meleka lives in Italy, where he studied Philosophy of Art in Milan.
Programme:
Open now until 31 December
The Safarkhan Art Gallery
6 Brazil St., Zamalek, Cairo
Monday - Saturday, 10am - 1:30pm, and again from 5pm - 9pm
*The painter, in naming his exhibition Metamorphosis, doesn't seem to refer to Kafka's The Metamorphosis.
http://english.ahram.org.eg/News/28637.aspx


Clic here to read the story from its source.