World Bank assesses Cairo's major waste management project    Egypt sets EGP 4b investment plan for Qena governorate    Russian refinery halts operations amid attacks    Egypt, Senegal seek to boost employment opportunities through social economy    Companies, associations' investments in MSMEs reach EGP 61.1bn in February 2024    Egypt's gold prices increase on Sunday    Egypt, AIIB collaborate to empower private sector    EGP 8.711bn allocated for National Veal Project, benefiting 43,600 breeders    Partnership between HDB, Baheya Foundation: Commitment to empowering women    Venezuela's Maduro imposes 9% tax for pensions    20 Israeli soldiers killed in resistance operations: Hamas spokesperson    Health Minister emphasises state's commitment to developing nursing sector    Sudan aid talks stall as army, SPLM-N clash over scope    France deploys troops, blocks TikTok in New Caledonia amid riots    Microsoft eyes relocation for China-based AI staff    K-Movement Culture Week: Decade of Korean cultural exchange in Egypt celebrated with dance, music, and art    Empower Her Art Forum 2024: Bridging creative minds at National Museum of Egyptian Civilization    Niger restricts Benin's cargo transport through togo amidst tensions    Egypt's museums open doors for free to celebrate International Museum Day    Madinaty Open Air Mall Welcomes Boom Room: Egypt's First Social Entertainment Hub    Egyptian consortium nears completion of Tanzania's Julius Nyerere hydropower project    Sweilam highlights Egypt's water needs, cooperation efforts during Baghdad Conference    AstraZeneca injects $50m in Egypt over four years    Egypt, AstraZeneca sign liver cancer MoU    Swiss freeze on Russian assets dwindles to $6.36b in '23    Prime Minister Madbouly reviews cooperation with South Sudan    Egypt retains top spot in CFA's MENA Research Challenge    Egyptian public, private sectors off on Apr 25 marking Sinai Liberation    Debt swaps could unlock $100b for climate action    Amal Al Ghad Magazine congratulates President Sisi on new office term    Egyptian, Japanese Judo communities celebrate new coach at Tokyo's Embassy in Cairo    Financial literacy becomes extremely important – EGX official    Euro area annual inflation up to 2.9% – Eurostat    BYD، Brazil's Sigma Lithium JV likely    UNESCO celebrates World Arabic Language Day    Motaz Azaiza mural in Manchester tribute to Palestinian journalists    Russia says it's in sync with US, China, Pakistan on Taliban    It's a bit frustrating to draw at home: Real Madrid keeper after Villarreal game    Shoukry reviews with Guterres Egypt's efforts to achieve SDGs, promote human rights    Sudan says countries must cooperate on vaccines    Johnson & Johnson: Second shot boosts antibodies and protection against COVID-19    Egypt to tax bloggers, YouTubers    Egypt's FM asserts importance of stability in Libya, holding elections as scheduled    We mustn't lose touch: Muller after Bayern win in Bundesliga    Egypt records 36 new deaths from Covid-19, highest since mid June    Egypt sells $3 bln US-dollar dominated eurobonds    Gamal Hanafy's ceramic exhibition at Gezira Arts Centre is a must go    Italian Institute Director Davide Scalmani presents activities of the Cairo Institute for ITALIANA.IT platform    







Thank you for reporting!
This image will be automatically disabled when it gets reported by several people.



In the glorious realms of Anfoushi
Published in Daily News Egypt on 15 - 04 - 2010

Drawing is the basis of art creation, be it with pencil, charcoal, or any other mark-making edge. Yet despite that obvious fact, many aspiring artists overlook the medium as a preparation stage in the more serious and respected process of painting.
One look at Rabab Nemr's body of work proves otherwise.
Nemr is a veteran Egyptian artist whose work has been exhibited consistently since her graduation from the Faculty of Fine Arts in Alexandria in 1963. Her current exhibition at the Zamalek Art Gallery features what can only be regarded as the best work she has produced to date.
That said, Nemr's work has always been nothing short of exquisite. Her attention to detail is magnificent, using miniscule strokes of graphite in order to create the large and cumbersome men and women of Egypt. Her current show is entitled "The Sea at Anfoushi, a popular neighborhood in Alexandria famous for its local fishermen.
The work is simply brilliant. It's been a while since I walked into a gallery and stared in awe at every single piece; nothing is less than perfect in Nemr's approach to her subject matter. For those familiar with her work, Nemr's figural representations are the same as they've always been. With deep, kind eyes, squashed features in the center of the face, heavyset bodies and large hands of builders, her men and women are quintessentially Egyptian; alien yet at the same time familiar. However, this is the first time Nemr has employed so much color in her work.
The contrast between the grey graphite tones and the colors is fascinating. Despite the slight brightness of the colors, veering towards the fluorescent at times; through them, Nemr has managed to strike a balance between the grey tones that are consistently shrouding the skies of Egypt and unnatural colors with which buildings, boats, clothes and sometimes faces are dyed.
The most intriguing aspect of the work is its craftsmanship. Skill such as that of Nemr's has not only become rare but somewhat unfashionable: there is too much emphasis on conceptual art lately that it seems as though aesthetics have become optional. Yet with Nemr's work, her subject matter is presented with such skill that viewing her work can function as a marvelous learning experience.
Two particularly exceptional pieces are presented side by side at the gallery. The first is a classic Nemr: a black and white graphite drawing of fishermen. This piece captures the epitome of her style, with traffic of fishermen drowning a substantially large square canvas. The swarm of faces appears to be suffocating, but as the piece draws you in, you find that the men are not uncomfortable. On the contrary, there seems to be a hidden method to the seeming chaos, rendering this particular artwork a true masterpiece and an essential collector's item.
The other drawing is of The Last Supper. The subject matter is profound, especially in light of the reference to Jesus as 'the' fisherman. True to the classic composition, Christ is seated in the center of the 12 apostles, all of whom have glasses of wine in front of them on the table. A single fish on a plate is placed in front of the figure of Christ, an allusion to the Coptic iconography which uses a fish to represent the Prophet.
Everything about the drawing appears measured, creating a composition that looks staged but not fake. The ultimate feel of the piece is that of a Mexican mural: bright colors, thick bodies, religious subjects abound with political commentary. Yet despite the heavy content, the work looks as if it resides in a naïve and simple existence.
It's this contrast that makes Rabab Nemr an asset to contemporary the Egyptian art scene. It's exceptionally rare that I write an exalting review of an exhibition as this one, but it's equally rare that an artist covers all their bases as Nemr does, and with flair.
The show is a wonderful collection of work and it is not to be missed by lovers of art and Egypt alike.
"The Sea at Anfoushi, closes on May 5.Zamalek Art Gallery: 11 Brazil Street, Zamalek, Cairo. Tel: (02) 2735 1240. Open every day from 10:30 am - 9:00 pm except Fridays.


Clic here to read the story from its source.