Israel's massive 23-day Operation Cast Lead offensive on Gaza, which began on 27 December 2008, caused massive destruction and killed more than 1,400 people. Another 5,000 were injured. Just World Books of Charlottesville, Virginia, has now published a ground-breaking collection of short stories exploring the lives of Gazans during and after Operation Cast Lead. Gaza Writes Back: Short Stories from Young Writers in Gaza, edited by Refaat Al-Al-Areer, contains 23 stories by 15 writers — all but three of them women. The number of stories equals the number of days Cast Lead lasted. “These stories take us into the homes and hearts of mums, dads, students, children, and elders striving to live lives of dignity in one of the world's most embattled communities,” says the book's cover. The book carries acclaim from prominent Palestinian and other activists and writers including Ghada Karmi, Victoria Brittain, Ramzy Baroud, Jean Said Makdisi, Susan Abulhawa and Samah Sabawi. The book's international launch took place in a packed-out event at the P21 Gallery in London on 16 January this year, and marked the fifth anniversary of the ending of Operation Cast Lead. It was chaired by author and former associate foreign editor of the UK Guardian newspaper Victoria Brittain. The London launch was followed on 18 January by a launch in the Malaysian capital Kuala Lumpur. Al-Areer has an MA in Comparative Literature from University College, London University, and teaches at the Islamic University of Gaza. He is currently doing a PhD in Malaysia. As a teacher of literature and creative writing he is a mentor to young Gazan writers and was the prime mover in getting the book off the ground. The founder of Just World Books, Helena Cobban, met Al-Areer and other writers during her last visit to Gaza in June 2011. “Many of them had great English-language skills, and they talked about what a great teacher Al-Areer was. Working with him to bring these powerful stories to a global readership in English has been an amazing experience,” she said. Gazans have constantly sought ways of overcoming the blockade of Gaza and numerous other difficulties, and writing in many forms plays a vital role in this. They are adept and prolific users of social media, including blogs, Facebook and Twitter, and they frequently contribute to online and other publications. As Gaza Writes Back demonstrates, they are also increasingly writing fiction. In his introduction to the book, Al-Areer writes that almost half the stories began as class assignments in his creative writing or fiction classes. “Many of the writers started as bloggers, and many had never written fiction before. Working closely with many young talents in Gaza has proven to me that all they need is proper encouragement, practical training, and close attention in order to blossom,” he said. Five contributors to Gaza Writes Back, including Al-Areer, took part in the London launch. Two of the writers – Rawan Yaghi and Jehan Alfarra – are studying in Oxford and they were able to attend in person to read from their stories and take part in a lively discussion with Victoria Brittain and the audience. Rawan is in her first year at Jesus College, Oxford University, studying Italian and linguistics. Jehan is doing an MSc in computing at Oxford Brookes University. Al-Areer and Yousef Aljamal, participated in the launch at a distance via a Skype link to Malaysia. And Mohammed Suliman was seen and heard at the launch through a pre-recorded video in which he read from his story “One War Day.” Al-Areer told the audience that Gaza Writes Back “attempts to testify with pure Palestinian voices against one of the most brutal occupations the world has ever known.” The stories “endeavour to educate both ourselves as Palestinians and the whole world. The young writers in the book strongly believe that there is a lot to learn, because we believe that it is our moral obligation to educate ourselves to improve personally, individually, locally and globally in order to achieve peace and better understanding.” As Al-Areer notes in his introduction to the book, the 23 stories are diverse in theme, setting, form, type, and experimentation. Although the focus of the book is the reaction of young writers in Gaza to Operation Cast Lead, the stories “include Palestine as a whole as an attempt to refuse any kind of division.” “Among Palestinians, no matter where they are, there is an emphasis on the right of return. Some stories are about West Bank issues, such as the Separation Wall, the settlements, or Jerusalem. Some do not have a particular setting, in order to suggest that the story could happen anywhere in occupied Palestine, or even to any people under occupation.” At the London launch, Al-Areer stressed the importance of “going fiction.” In so many ways “fiction is universal, and ‘going fiction' is going global, ‘going fiction' is transcending the rigid facts, numbers and statistics we usually have on the news,” he argued. Fiction addressed the human aspect, “giving a face to the victims here and there in Palestine, especially in Gaza during Operation Cast Lead.” Al-Areer said that preparing the anthology had been “the most fascinating and productive year of my life. The peak was not only the book itself, but also working with these amazing talents in Gaza.” The writers have an excellent command of English, “they have their belief in their rights, they have the enthusiasm and the motivation, and most importantly they have the understanding that writing back to Israel's long occupation and constant aggression is a moral obligation and a duty they are paying back to Palestine and to a bleeding yet resilient Gaza.” The book contains the work of 15 writers, but there are “many more writers out there in Gaza. Future book projects with Helena Cobban or another publisher could bring these voices to light.” The stories were all written in English except for the two by Nour al-Sousi which were translated from Arabic. Asked at the London launch why more stories had not been translated from Arabic, Al-Areer emphasised the importance of reaching an English-reading audience beyond Gaza. He was confident that Gaza Writes Back would be translated into Arabic. He added that “we have been approached by people from as far away as Japan, Turkey, and Malaysia to translate the book into other languages.” People from South Africa, Canada, New Zealand and Australia were proposing book tours. Al-Areer and his colleagues are planning other books “to include more talents, more writers from Gaza, in poetry, in children's stories – again mainly written in English. Maybe we are going to go for non-fiction in the future, and for longer stories – maybe a novella or a novel,” he said. He added that he hoped that some of the stories in Gaza Writes Back would be turned into movies or documentaries. Helena Cobban is now working with others to bring Al-Areer and three of the book's other writers for a speaking tour around the US in April. “Let's hope they can get visas,” she said. “With or without the speaking tour, though, it is clear that many of these very honest, poignant stories will enter the canon of world literature, which is absolutely where they belong.” The writer is a London-based journalist specialising in Middle Eastern culture and politics.
