ExxonMobil's Nigerian asset sale nears approval    Argentina's GDP to contract by 3.3% in '24, grow 2.7% in '25: OECD    Chubb prepares $350M payout for state of Maryland over bridge collapse    Turkey's GDP growth to decelerate in next 2 years – OECD    EU pledges €7.4bn to back Egypt's green economy initiatives    Yen surges against dollar on intervention rumours    $17.7bn drop in banking sector's net foreign assets deficit during March 2024: CBE    Norway's Scatec explores 5 new renewable energy projects in Egypt    Egypt, France emphasize ceasefire in Gaza, two-state solution    Microsoft plans to build data centre in Thailand    Japanese Ambassador presents Certificate of Appreciation to renowned Opera singer Reda El-Wakil    WFP, EU collaborate to empower refugees, host communities in Egypt    Health Minister, Johnson & Johnson explore collaborative opportunities at Qatar Goals 2024    Egypt facilitates ceasefire talks between Hamas, Israel    Al-Sisi, Emir of Kuwait discuss bilateral ties, Gaza takes centre stage    AstraZeneca, Ministry of Health launch early detection and treatment campaign against liver cancer    Sweilam highlights Egypt's water needs, cooperation efforts during Baghdad Conference    AstraZeneca injects $50m in Egypt over four years    Egypt, AstraZeneca sign liver cancer MoU    Swiss freeze on Russian assets dwindles to $6.36b in '23    Amir Karara reflects on 'Beit Al-Rifai' success, aspires for future collaborations    Climate change risks 70% of global workforce – ILO    Prime Minister Madbouly reviews cooperation with South Sudan    Ramses II statue head returns to Egypt after repatriation from Switzerland    Egypt retains top spot in CFA's MENA Research Challenge    Egyptian public, private sectors off on Apr 25 marking Sinai Liberation    Debt swaps could unlock $100b for climate action    President Al-Sisi embarks on new term with pledge for prosperity, democratic evolution    Amal Al Ghad Magazine congratulates President Sisi on new office term    Egyptian, Japanese Judo communities celebrate new coach at Tokyo's Embassy in Cairo    Uppingham Cairo and Rafa Nadal Academy Unite to Elevate Sports Education in Egypt with the Introduction of the "Rafa Nadal Tennis Program"    Financial literacy becomes extremely important – EGX official    Euro area annual inflation up to 2.9% – Eurostat    BYD، Brazil's Sigma Lithium JV likely    UNESCO celebrates World Arabic Language Day    Motaz Azaiza mural in Manchester tribute to Palestinian journalists    Russia says it's in sync with US, China, Pakistan on Taliban    It's a bit frustrating to draw at home: Real Madrid keeper after Villarreal game    Shoukry reviews with Guterres Egypt's efforts to achieve SDGs, promote human rights    Sudan says countries must cooperate on vaccines    Johnson & Johnson: Second shot boosts antibodies and protection against COVID-19    Egypt to tax bloggers, YouTubers    Egypt's FM asserts importance of stability in Libya, holding elections as scheduled    We mustn't lose touch: Muller after Bayern win in Bundesliga    Egypt records 36 new deaths from Covid-19, highest since mid June    Egypt sells $3 bln US-dollar dominated eurobonds    Gamal Hanafy's ceramic exhibition at Gezira Arts Centre is a must go    Italian Institute Director Davide Scalmani presents activities of the Cairo Institute for ITALIANA.IT platform    







Thank you for reporting!
This image will be automatically disabled when it gets reported by several people.



Audiard's 'Dheepan' wins Palme d'Or in upset Cannes finale
Published in Ahram Online on 24 - 05 - 2015

Jacques Audiard's Sri Lankan refugee drama "Dheepan" on Sunday won the Palme d'Or, the top honor of the Cannes Film Festival.
The choice, as selected by a jury led by Joel and Ethan Coen, was unexpected. "Dheepan" is about a trio of Sri Lankans who pretend to be a family in order to flee their war-torn country for a housing project in France. While the dapper Audiard has drawn widespread acclaim for films such as "A Prophet" and "Rust and Bone," many criticized "Dheepan" for the thriller-like conclusion of its otherwise patient depiction of immigrant adjustment.
"To receive a prize from the Coen brothers is exceptional," said Audiard. "There's only the Dardenne brothers (that could match it)."
The runner-up prize, the Grand Prix, went to "Son of Saul," a grim Holocaust drama by first-time Hungarian director László Nemes. Some expected Nemes' horrifying plunge into the life of an Auschwitz worker to take the top award, but it's been 26 years since a debut film (Steven Soderbergh's "Sex, Lies, and Videotape") was given the Palme.
Hou Hsiao-Hsien, the masterful 68-year-old Taiwanese filmmaker, won best director for his first feature in eight years: "The Assassin," a lushly painterly martial arts drama.
The best actress prize was split but not the way some expected. It was given to both Rooney Mara, half of the romantic pair of Todd Haynes' '50s lesbian drama "Carol," and Emmanuelle Bercot, the French star of the roller-coaster marriage drama "My King." (Bercot also directed the festival opener, "Standing Tall," about a delinquent teenager.) Many expected Mara might share the prize with her "Carol" co-star, Cate Blanchett.
Best actor was awarded to Vincent Lindon, the veteran French actor of Stéphane Brizé's "The Measure of a Man." In it, he plays a man struggling to make a living after a long period of unemployment.
Yorgos Lanthimos, a Greek filmmaker working in English for the first time, took the jury prize for "The Lobster," a deadpan dystopian comedy, starring Colin Farrell and Rachel Weisz, about a near-future where unmarried singles are turned into the animals of their choice.
"Chronic," an understated drama about a home-care nurse (Tim Roth) for the terminally ill, took best screenplay for Mexican writer-director Michel Franco. Franco and Roth met three years ago when Roth, on the Un Certain Regard jury, helped award Franco the Un Certain prize. "It's a Cannes story," said Franco.
The Camera d'Or, Cannes award for best first feature film, went to "La Tierra Y la Sombra." César Augusto Acevedo's debut, which played in the Critics Week section, is about an old farmer returning home to tend to his gravely ill son.
The Palme was decided by a jury headed by the Coen brothers, who themselves took the coveted award in 1991 for "Barton Fink." The others on the Cannes jury were: Guillermo del Toro, Jake Gyllenhaal, Sienna Miller, Sophie Marceau, Xavier Dolan, Rokia Traore and Rossy de Palma.
The last two Cannes winners have been three-hour art-house epics: the glacial Turkish drama "Winter Sleep," chosen last year by Jane Campion's jury, and "Blue is the Warmest Color," as picked by Steven Spielberg's jury. But no film in competition this year was much longer than two hours.
This year's competition slate of 19 films left some critics calling it a somewhat down year for Cannes. Some of the films that drew the biggest raves — "Mad Max: Fury Road," Pixar's "Inside Out" — played out of competition.
The festival was dominated by discussion about gender equality with many — from Cate Blanchett to Jane Fonda — speaking about female opportunity in the movie business. "You hope it's not just the year, it's not some sort of fashionable moment," said Blanchett.
On Sunday, an honorary Palme d'Or was given to French filmmaker Agnes Varda, the first woman to receive one and only the fourth director after Woody Allen, Clint Eastwood and Bernardo Bertolucci.
But the festival was overrun by an unlikely scandal when several women were turned away from the formal premiere of Todd Haynes' "Carol" for wearing flat shoes, rather than high heels. The festival insisted it was the mistake of overzealous security guards and not part of Cannes' notoriously strict dress code. Emily Blunt, star of the drug war thriller "Sicario" called the situation "very disappointing."
On Saturday, "Rams," a drama set among farmers and their sheep in a remote Icelandic valley, won the Un Certain Regard, a sidebar competition at Cannes.
http://english.ahram.org.eg/News/131087.aspx


Clic here to read the story from its source.